Iron Man 3

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When Tony Stark’s world is torn apart by a formidable terrorist called the Mandarin, he starts an odyssey of rebuilding and retribution.

Release Date: April 18, 2013 (Theaters)

Phase:

Classification:

Runtime: 2h 10m

Network:

Disney Plus

Production:

Marvel Studios

Budget: $200,000,000

Box Office: $1,215,577,205

Classification

Runtime
2h 10m

Network

Production

Budget
$200,000,000

Box Office
$1,215,577,205

Gwyneth Paltrow
Pepper Potts
Don Cheadle
Colonel James Rhodes
Guy Pearce
Aldrich Killian
Rebecca Hall
Maya Hansen
Jon Favreau
Happy Hogan
Ben Kingsley
Trevor Slattery
Paul Bettany
Jarvis (voice)
William Sadler
President Ellis
Dale Dickey
Mrs. Davis
Ty Simpkins
Harley Keener
Miguel Ferrer
Vice President Rodriguez
Wang Xueqi
Doctor Wu
Shaun Toub
Ho Yinsen
Matthew Sterling Nye
Annoying Conference Guy
Pat Kiernan
Pat Kiernan
Josh Elliott
Josh Elliott
Megan Henderson
Megan Henderson
Thomas Roberts
Thomas Roberts
Bill Maher
Bill Maher
Joan Rivers
Joan Rivers
George Kotsiopoulos
George Kotsiopoulos
Bronte D'Esposito
Neptune's Net Girl
Noah Visconti
Neptune's Net Boy
Brooke Jaye Taylor
Happy's Nurse
Kim Holderness
Hospital News Reporter
Glenn Foster
Pushy Tabloid Reporter
Anthony Reynolds
Helicopter Pilot #1
Kendrick Cross
Helicopter Pilot #2
Tom Clark
Reporter at House Wreckage
Brian Schaeffer
Mandarin Studio Technician
John Eddins
Mandarin Look-Out
Spencer Garrett
Rose Hill Sheriff
Rockey Dickey Jr.
Rose Hill Deputy / Extremis Soldier
Drew Michael Hershner
Rose Hill Christmas Tree Shopper
Sarah Burkhardt
Junior Technician
Jan Broberg Felt
Senior Technician
Andrew Lauer
Satellite Technician
Nate Bynum
Technical Director
Andrew Lander
Vice President's Analyst
Tom Virtue
Thomas Richards
Roy McCrerey
President's Aide
Serdar Kalsin
Scared Insurgent
Demetrois Hodges
Laughing Insurgent
Bobby Tisdale
Pageant Emcee
Yvonne Zima
Miss Elk Ridge
Stan Lee
Pageant Judge
Adam Pally
Gary the Cameraman
James Rackley
Chad Davis
Cullen Moss
Extremis Candidate
Jake De Witt
Room Service Waiter / Extremis Soldier
Rebecca Mader
Sweat Shop Agent
Kevin Arnold
Mandarin Guard
Juan C. Bofill
Mandarin Guard
Adam Lytle
Mandarin Guard
Paul O'Connor
Mandarin Guard
Phil Ortiz
Mandarin Guard
Gwendalyn Barker
Sleepy Mandarin Girl
Steve Wilder
Annoyed Mandarin Guard
Luciana Faulhaber
Mandarin Party Girl #1
Kary Musa
Mandarin Party Girl #2
Mike Massa
Tony's Guard
Mark Kubr
Ponytail Express
Si-Fu Eric Oram
Reluctant AIM Guard
Naomi Parshin
AIM Ping Pong Girl
Aurelia Riley
AIM Ping Pong Girl
Johanna Yunda
AIM Ping Pong Girl
Wesley Thompson
Secret Service Agent
Jenna Ortega
Vice President's Daughter
Toochukwu T.C. Anyachonkeya
Iron Patriot Fan #1
Chad Kurtz
Iron Patriot Fan #2
Cal Johnson
Air Force One Officer
Linden Ashby
Commander
Sala Baker
Extremis Soldier
Kial Butler
Extremis Soldier
Nick Brandon
Extremis Soldier
Dan Brown
Extremis Soldier
Fernando Chien
Extremis Soldier
Ilram Choi
Extremis Soldier
Brycen Counts
Extremis Soldier
Kiante Elam
Extremis Soldier
Dane Farwell
Extremis Soldier
Mark Fichera
Extremis Soldier
Colin Follenweider
Extremis Soldier
Aja Frary
Extremis Soldier
Mark Ginther
Extremis Soldier
Adrian Gonzalez
Extremis Soldier
Dennis Keiffer
Extremis Soldier
Samuel Le
Extremis Soldier
Tara Macken
Extremis Soldier
William Morts
Extremis Soldier
Jade Quon
Extremis Soldier
J. C. Robaina
Extremis Soldier
Markos Rounthwaite
Extremis Soldier
Philip J. Silvera
Extremis Soldier
Brian Simpson
Extremis Soldier
Mark Aaron Wagner
Extremis Soldier
Mark Ruffalo
Bruce Banner (uncredited)
Chris Gethard
Juan (uncredited)
Nick W. Nicholson
White House Reporter (uncredited)
Bridger Zadina
Richie (uncredited)
Johnny Otto
Military Advisor (uncredited)
Noa Lindberg
Michele Cusick (uncredited)
Shane Black
Director / Screenplay
Alan Fine
Executive Producer
Bing Wu
Executive Producer
Charles Newirth
Executive Producer
Dan Mintz
Executive Producer
Jon Favreau
Executive Producer
Louis D'Esposito
Executive Producer
Stan Lee
Executive Producer / Comic Book
Stephen Broussard
Executive Producer
Victoria Alonso
Executive Producer
Wenge Xiao
Executive Producer
Kevin Feige
Producer
Aaron Steven
Production Assistant
Aaron Walker
Actor's Assistant
Adam Cole
Post Production Coordinator
Adam Meadows
Production Assistant
Aja Frary
Stunts
Al LaVerde
Key Grip
Alan Hook
Art Direction
Alessandro Cioffi
Visual Effects Supervisor
Alex Marden
Production Assistant
Alex Mechanik
Production Assistant
Alexandra Ketcham
Actor's Assistant
Alexis Strobin
Production Assistant
Alisa Hensley
Stunt Double
Andy Bader
Camera Loader
Andy Park
Conceptual Illustrator
Anne K. Osborne
Seamstress
Ben Stolte
Production Assistant
Bianca White
Costumer
Bill Brzeski
Production Design
Bob Merrick
Actor's Assistant
Bob Moore Jr.
Key Set Costumer
Brian Lister
Rigging Grip
Brian Relyea
Second Assistant Director
Brian Smrz
Second Unit Director
Brian Stultz
Art Direction
Brian Tyler
Conductor / Original Music Composer
Brie Dorsey
Actor's Assistant
Brooks Robinson
"B" Camera Operator / Steadicam Operator
Bryan Grill
Visual Effects Supervisor
Carrie Arakaki
Key Costumer
Casey Crespo
Seamstress
Charlie Dicus
Production Assistant
Charlie Wen
Visual Development
Cheryl A. Stone
Production Controller
Cheryl Beasley Blackwell
Costume Supervisor
Chris Brewster
Stunt Double
Christina Pitassi
Payroll Accountant
Christopher Townsend
Visual Effects Supervisor
Clyde E. Bryan
First Assistant "B" Camera
Co-Co Aiello-Younger
Production Accountant
Cody York
Rigging Grip
Corey L. Howard
Production Assistant
Courtney McKeon
Production Assistant
Dan Brown
Stunts
Dan DeLeeuw
Visual Effects Supervisor
Daniel Altieri
Second Assistant Accountant
Daniel Brimer
Visual Effects Producer
Daniel Fotheringham
Digital Effects Supervisor
Daniel Macarin
Digital Effects Supervisor
Daniel Sudick
Special Effects Supervisor
Danielle Berman
Set Decoration
Dave Jordan
Music Supervisor
David Boucher
Special Effects Technician
David Ghegan
Best Boy Electric
David Masure-Bosco
Visual Effects Coordinator
Desma Murphy
Supervising Art Director
Dick VanNewkirk
Rigging Grip
Don Heck
Comic Book
Doug Wall
Best Boy Grip
Drew Grey
Production Assistant
Drew Pearce
Screenplay
Edward J. Cox
Rigging Gaffer
Eilish Zebrasky
Assistant Costume Designer
Elona Tsou
Production Coordinator
Emily Brobst
Stunt Double
Erik Nash
Visual Effects Supervisor
Evan Clover
Animation
Evan McMillan
Production Assistant
Frank Godwin
Additional Photography
Gary Fry
Stunts
Gavin Segall-Abrams
Post Production Assistant
Geoff Gregg
Production Assistant
Geoffrey Baumann
CG Supervisor
Glenn Foster
Stunt Double
Graham Binding
Senior Animator
Guy Williams
Visual Effects Supervisor
Harrison Palmer
Rigging Grip
Heba Thorisdottir
Makeup Artist
Ivette Ledon
First Assistant Accountant
Jack Kirby
Comic Book
Jackie Burch
Local Casting
Jade Quon
Stunts
Jaime Rosegren
Production Assistant
James Bell
Rigging Grip
Jamie Baglio
Best Boy Electric
Jampier Arias
Second Assistant Accountant
Janet Melody
Ager/Dyer
Jason Bistarkey
Assistant Art Director
Jason Sugars
Actor's Assistant
Jason Tamez
Production Supervisor
Jay Pelissier
Art Direction
Jayson Barber
Rigging Grip
Jeanette Surga
Music Editor
Jeanie Baker
Key Set Costumer
Jeff Boardman
Second Assistant Accountant
Jeff Habberstad
Stunt Coordinator
Jennifer Badger
Utility Stunts
Jennifer Bell
Hairstylist
Jenny Kissoon
Production Assistant
Jimmy Rich
Actor's Assistant
JoAnn Perritano
Unit Production Manager
Joe Byrum
Production Assistant
Joe Lisanti
Music Editor
Joe Macaluso
Best Boy Grip / Key Grip
Joe Ross
Stunts
Joel Wells
Production Secretary
John Dietrick
First Assistant Editor
John M. Pisani
Unit Publicist
John McIntyre
Second Assistant "B" Camera
John Merchant
Assistant Production Coordinator
John Toll
Director of Photography
Johnny Eastlund
Assistant Location Manager
Johnny Gidcomb
ADR Voice Casting
Joseph Dizon
Production Assistant
Joshua Loiko
Second Assistant Accountant
Julian Baker
Rigging Grip
Julie Ann Grasso
Second Assistant Accountant
Justin Dybowski
Production Assistant
Kaitlin Ward
Production Assistant
Kale Flowers
Actor's Assistant
Kari King
Production Assistant
Kate Wood-Baldas
Set Costumer
Kathleen Latlip
Assistant Editor
Kathryn Berk
Actor's Assistant
Katie Foley
Production Assistant
Kent Baker
Key Rigging Grip
Keone Kim
Stunts
Kevin Holmquest
Second Assistant Accountant
Kevin Keating
Actor's Assistant
Kim Breece
Art Department Assistant
Kim Ronstadt
First Assistant Accountant
Kofi Elam
Stunts
Kunga Gurung
Production Assistant
Kurt Gefke
Production Assistant
Larry Blanford
Second Unit Director of Photography
Larry Lieber
Comic Book
Lars P. Winther
Associate Producer / First Assistant Director
Lexi Lefkowitz
Production Assistant
Lindsay Little
Second Assistant Accountant
Lisa Marra
Visual Effects Production Manager
London Stewart
Assistant Location Manager
Loni Sykes
Production Assistant
Lou Pecora
Compositing Artist
Louise Frogley
Costume Design
Luke Kalteux
Lighting Technician
Mandi Dillin
Location Manager
Margaret Gardner
Music Coordinator
Mark Bakowski
Visual Effects Supervisor
Mark G. Soper
Visual Effects Producer
Mark P. Stoeckinger
Supervising Sound Editor
Markos Rounthwaite
Stunt Coordinator
Matt Aitken
Visual Effects Supervisor
Matt Wilbur
Rigging Grip
Matthew Schmidt
First Assistant Editor
Megan Coates
Set Costumer
Megan McNichol
Actor's Assistant
Megan Willis
Production Assistant
Michael Dorner
Payroll Accountant
Michael Keller
Recording Supervision
Michael McGuire
Utility Stunts
Michael Melchiorre
Compositing Supervisor
Michael Ralla
Compositing Artist
Michelle Paré
Seamstress
Mike Massa
Stunt Double
Mike Moad
Dolly Grip
Mike Prestwood Smith
Recording Supervision
Mimi N. McGreal
Travel Coordinator
Mitchell Bell
Associate Producer
Monique Ganderton
Stunt Double
Nathaniel Caauwe
Rotoscoping Artist
Nicholas J. Gray
Production Assistant
Noelle M. Pflum
Assistant Production Coordinator
Olga Meverden
Seamstress / Tailor
Paul Butterworth
Visual Effects Supervisor
Paul Story
Lead Animator
Pete White
Costumer
Philip Walton
Production Assistant
Rachael Peterson
Production Assistant
Rachael Tartell
Assistant Location Manager
Rachel Korn
Actor's Assistant
Reed Whorton
Post Production Assistant
Regis Harrington
Stunt Double
Rhona Gordon
Studio Teacher
Robert Rosegren
Production Assistant
Rocky Amon
Rigging Grip
Russell Bobbitt
Property Master
Ryan J. Pezdirc
Production Assistant
Ryan Konchalski
Production Assistant
Ryan Meinerding
Visual Development
Ryan Wilk
Visual Effects Coordinator
Sadie DeRosa
Production Assistant
Sal Alvarez
Second Assistant "A" Camera
Samuel Le
Stunts
Sarah Goller
Assistant Location Manager
Sean Frohardt
Best Boy Grip
Sean Noel Walker
CG Supervisor / Digital Effects Supervisor
Sean Ricigliano
Epk Camera Operator
Sean Yaple
Second Assistant "B" Camera
Shauna Duggins
Stunt Double
Shelby Treichler
Production Assistant
Sheri St Lawrence
Second Assistant Accountant
Susanne Ragnarsson
Location Manager
Tamara Hunter
Casting Associate
Tara Macken
Stunt Double
Tarin Squillante
Production Assistant
Taylor Hamilton
Production Assistant
Terry Abbott
Security
Timothy A. Wonsik
Assistant Costume Designer
Todd M. Hofacker
Actor's Assistant
Tony Jefferson
Stunt Double
Tracy Breyfogle
Second Assistant Accountant
Trevor Habberstad
Stunt Double
Venti Hristova
Visual Effects Supervisor
Vincent Befi
Production Assistant
Vincent Cirelli
Visual Effects Supervisor
Wesley R. Hardee
Rigging Grip
William Newirth
Production Assistant
Yung q
Stunts
Zachary Quemore
Assistant Location Manager
Zade Rosenthal
Still Photographer
Zoë Bell
Stunts

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Reviewer:
Manuel São Bento
Date:
September 18, 2025
Rewatched for the Once Upon a Franchise podcast. Listen to the full episode here: Shane Black's authorial stamp is all over IRON MAN 3, for better AND worse. From the fast-paced, witty dialogue to the buddy-cop dynamics he injects into Tony Stark's relationships, the filmmaker succeeds most when deconstructing the main hero, forcing him out of the suit to grapple with his PTSD from the previous New York alien invasion, which provides genuine thematic weight. However, this is consistently undercut by a frustratingly superficial treatment of other serious subject matters, which is often played for laughs, creating a jarring tonal imbalance. This extends to other subplots, leaving the movie feeling caught between a serious character study and a flippant action-comedy, a conflict even the exceptional performance from Robert Downey Jr. (Sherlock Holmes) can't fully resolve. The infamous Mandarin twist can admittedly be seen as foreshadowed by Ben Kingsley's (Gandhi) theatrical performance, but in subverting expectations, Black neuters its central threat, replacing a compelling villain with the bland, structurally disconnected Aldrich Killian. This narrative issue mirrors the action sequences; for every standout moment like the attack on Tony's home or the spectacular mid-air rescue, there are stretches of messy editing and distracting CGI. The result is a uniquely divisive entry, full of clever ideas that don't quite merge into a satisfying whole, but entertaining nonetheless. Rating: B-
Rating:
6.0
Reviewer:
Murp
Date:
May 29, 2024
[MAJOR SPOILERS] This is one of the most disappointing movies ever. From trailers and earlier parts of the movie, the Mandarin is hyped up to be this super powerful terrorist threat against Iron Man. I expected it to end with Stark defending America against some big plot or scheme from the Mandarin. Instead, at the end he is revealed to be some pussy in a cave. 4/10
Rating:
5.0
Reviewer:
Andre Gonzales
Date:
July 5, 2023
Once again another movie with very little action. Im really disappointed in these movies. Sure the stories are good but that's it.
Rating:
6.0
Reviewer:
The Movie Mob
Date:
September 16, 2022
**While the deeper dive into Tony Stark and his past is welcomed, the execution came up a little short compared to Iron Man’s MCU entries.** Iron Man 3 might be my least favorite of the Iron Man franchise, but it's still a great movie. Iron Man 3 focuses much more on Tony Stark and his trauma following The Avengers rather than on Iron Man and the suit. A large portion of the film and even some action scenes explore who Stark is without the high-tech suit or fancy technology in general. Stark grapples with the fallout of past decisions and has to decide who he is at his core without the money or Iron Man. As expected, the entire cast dazzles in their performances, from Robert Downey Jr. To Don Cheadle to Gwyneth Paltrow, but the true standout is Ben Kingsley's Mandarin. Iron Man 3 is all about Stark's growth and development, and while that's a great idea, its poor villain and lack of actual Iron Man leave the film feeling a little hollow. I still appreciated the movie and its Christmas cheer, but the MCU has far better Iron Man movies and moments to enjoy.
Rating:
7.0
Reviewer:
Filipe Manuel Neto
Date:
August 14, 2022
**It's a substantially weaker film than its two predecessors.** After two frankly good films, I was curious to see what this film would bring to the public, who immediately set out to fill the studio's coffers with their tickets money. Marvel has discovered an excellent financial lode by transposing most of its characters to the cinema, and this film is destined to be a box office success, although the quality is much more questionable. I'll start with what I usually leave for last: the technical aspects and production values ​​are really excellent and constitute the strongest and most solid point of the film. Directed by Jon Favreau, who has held his chair since the first “Iron Man”, the film has retained most of the crew and core cast, which helps give the trilogy the flavor of a unique work. With a solid bet on more flashy, loud and spectacular action, the film wants to appeal to a young audience that wants something big, where CGI and effects can create authenticity and a sense of danger. The quality of the effects is undeniable, but the excessive action takes a toll on the final set. It looks like a video game, a recurring mistake in these types of movies. In addition, the film has good cinematography, it was beautifully shot, it is sharp, and it has excellent colors and light. The work of the stuntmen is meritorious, yet regularly forgotten in the minds of viewers. The sets and costumes are very good, especially Tony Stark's house and the various armors from the movie. Another word for the soundtrack, by Dwight Yoakim, which proved to be up to the task without, however, proving to be memorable. The cast includes most of the names we already know from the previous two films, with Robert Downey Jr. the most relevant for maintaining the leading role. The actor is good, deserves our credit, and I recognize that he tried to give his character a greater maturity and sense of experience. In this film, Stark is a much more mature, traumatized, tired and even fragile man, and his relationship with Pots has become more formal and firm, causing the former playboy to settle down and carry on a serious love relationship. I understand that this may displease some, but the film seems to take place several years after its predecessor, “Iron Man 2”, and makes mention of several events, in the meantime. With excellent technical work and the use of excellent makeup artists, Ben Kingsley shone in the role he was given and which is clearly one of the best of his recent career. Paltrow and Cheadle also leave us a positive record of his work, although it wasn't as intense as one would expect. Favreau, in addition to directing the film, has a brief funny cameo as Happy. But it's Guy Pearce and Rebecca Hall we should be worried about: they do what they can, and yet the film didn't give them much of a chance to do more and better. The biggest problem with this movie is, of course, the plot and writing of the script, dialogues and scenes. Attempts at comedy are very unpleasant, and Stark, who once had almost a barrage of phrases and jokes for all occasions, is now a serious and weary man. The material given to the actors is scarce and does not bring anything really good. In addition, the film has almost no connection with the previous films, and especially “Iron Man 2”, whose events are never really spoken by anyone.
Rating:
5.0
Reviewer:
Wuchak
Date:
August 17, 2021
_**Worthwhile, but a bit of a letdown compared to the snappy "Iron Man 2"**_ Released in 2013, "Iron Man 3" stars Robert Downey Jr. as Tony Stark in this third installment where Shellhead takes on the so-called Mandarin (Ben Kingsley) and A.I.M. (Advanced Idea Mechanics), led by Killian (Guy Pearce). After Stark's personal world is destroyed, he is left to survive by relying on his ingenuity and instincts to rise from the ashes and protect those closest to him, like Pepper (Gwyneth Paltrow). In the process Tony seeks to answer a question that has haunted him: Does the suit of armor make the man or does the man make the suit of armor? Don Cheadle and Jon Favreau are on hand as James Rhodes (War Machine) and Happy Hogan respectively while Rebecca Hall plays an agent of A.I.M. After the absolutely kinetic (and inexplicably criticized) "Iron Man 2" this third part of the trilogy is a bit of a letdown. It's a quality superhero movie, but the first act is lethargic compared to the dynamic initial reel of the previous movie. Things pick up in the second act as Stark is separated from his loved ones and presumed dead, forced to team up with a brainiac kid. While some claim that the movie's "more serious" than "Iron Man 2," it has the same tone and the same main characters/cast; the amount of "more seriousness" is marginal. People say "Iron Man 3" plays better on repeat viewings, so I'll update this review after future viewings. But I was letdown by the lame representation of the Mandarin, the ambiguous powers of the A.I.M. operatives, the myriad Iron Man suits functioning without a person in them and the fact that everyone and their brother dons the Iron Man armor or parts of it. For instance, Pepper morphs into a veritable superheroine at one point. Nevertheless, it's not bad at all and the cast is great with Rebecca Hall and Guy Pearce effective in their roles. The movie runs 130 minutes and was shot North Carolina, Southern California and Miami. GRADE: C+
Rating:
5.0
Reviewer:
r96sk
Date:
January 16, 2021
Very good. 'Iron Man 3' offers an entertaining 130 minutes. I enjoyed seeing the plot unfold, it isn't anything revolutionarily fresh but it's done in a way that's interesting to watch. The score and effects are great. Robert Downey Jr. continues to be a lot of fun as the lead, while Don Cheadle is more enjoyable than he is in 'Iron Man 2'. Guy Pearce and Ben Kingsley are good to watch too, the latter amused me more than I thought he would. I'd rank this higher than the 2010 sequel, though it's still a fair distance off the original. This 2013 film leaves a positive impression.
Rating:
8.0
Reviewer:
JPV852
Date:
June 20, 2020
When I first saw this in 2013, strongly disliked it but decided to give it another watch during my re-visit of the MCU and... kind of enjoyed it, quite a bit. Still not fond of the twist wasting a great actor in Ben Kingsley to be a decoy Mandarin and instead having a cheesy one with Guy Pearce's Aldrich Killian and his lame "I AM THE MANDORIAN!" line. But all in all, a good step up from Iron Man 2. **3.75/5**
Rating:
8.0
Reviewer:
Anonymous
Date:
March 9, 2019
I don't understand the hate for this one. The fact that Tony Stark is barely in the suit makes for an interesting take on analyzing the humanity of the character. I also found the villain plot twist halfway through the movie to be quite clever and surprisingly satisfying. It certainly feels more like a Shane Black movie than an Iron Man movie, but that's a great thing. It shows Marvel is willing to give their filmmakers a voice and the room to take risks in their storytelling. Iron Man 3 is a very risky movie, and to me it paid off.
Rating:
8.0
Reviewer:
Gimly
Date:
June 5, 2018
**A long form review originally posted in 2013** _Iron Man 3_ brings us into the so called “Phase 2” of the Marvel Cinematic Universe. But it does so in a flawed way. I’ve said it before and reiterate it here, there is no such thing as a perfect film. But since _The Avengers_ set the bar so very high, following that up proved to simply be too much for Black’s entry to handle. There are a great deal of inconstancies, plot holes, stupid moves, illogical choices, and weak moments (though less than much of the internet would have you believe). These issues are not enough to lead to _Iron Man 3’s_ complete and utter downfall, but they do force a sour taste into the piece overall. This isn’t to say it’s a bad movie though. In fact it’s actually quite good. It surpasses the quality of _Iron Man 2_ and plants itself firmly in the MCU rather successfully. A move which only _The Incredible Hulk_ failed to make, but still. Yes it has its problems, yes we’d hoped for better, and yes I’ve got complaints, but the movie is not at all a failure. Manages to come full circle in a way that still leaves Tony Stark & Iron Man a future in the Marvel Universe. Shane Black and Drew Pearce manage to bring in a sense of vulnerability that was barely touched on in the past MCU works. Even the minuscule Steve Rogers of _Captain America_ seemed in control of every situation. But here we see Tony Stark as not only a breakable man, but a man in general. The most human of any Super Hero appearance in the MCU to date. Yes the Robert Downey Jr. wit that all have come to expect from the piece is still on the table, but in between and beneath that there’s an insomniac with extreme anxiety disorders living separated from the real world, too invested in his work and shattered identity to live as the Stark everyone expects him to still be. Pepper and Rhodey are even given a chance to pick up the slack. The three form this sort of protagonist trinity, Saving one another in a round-robin Super Hero-y way with a little more depth than I’d expected. The _Iron Man_ movies famously have had the most disappointing bad-guy-show-downs in the genre. And though here Black gives us much more of a delivery on this front than Favreau ever did, the issues I had with _Iron Man 3_ came (almost) exclusively from A.I.M, the Mandarin and Extremis (which form the antagonist trinity now that I think of it). So, we’ve got better a better final confrontation, but from less integral bad guys. A more human hero, stuck in a less human adventure. A better interlocking of characters, with less to do on screen. I could go on with this roller coaster, but that word essentially sums up the film. Not in that its a cliched “thrill ride”, but in that it’s a constant mess of ups and downs, with the final destination just barely justifying the start point. Speaking non-comparitively, _Iron Man 3_ makes a good movie. Not great. But so very, very worth the watch. It’s hard for me to think objectively separate from the other films in the MCU, because I’ve seen them all so many times that there’s no way for me to forget all that’s come before when watching the movie. I’d be interested to hear from somebody who’s watched _Iron Man 3_, but not _Iron Man 1_ & _2_ or _The Avengers_. I’m sure such a person exists somewhere, and if so your input would be greatly appreciated. I think I might have made it seem as if I disliked Iron Man 3 more than I actually did. Here’s why. From _Iron Man 2_ until _The Avengers_, I watched all the MCU films in cinemas. After each one, I immediately got that feeling of wanting to go back and watch it again, a feeling that steadily grew as time passed. Each film that Marvel released had me feeling this more strongly than the last, culminating in _The Avengers_ which I saw six times in theatres, and immediately pre-ordered the whole set on Blu-Ray the moment it became available (I bought a PS3 for the sole purpose of watching them). But with _Iron Man 3_ I sort of dropped back to a pretty low interest level once I’d left Hoyts. It seemed that although it was a really good watch, it just didn’t have the staying power I’d come to expect from these incredible Super Hero films. 67% -_Gimly_
Rating:
7.0
Reviewer:
Dark Jedi
Date:
January 25, 2018
I have to say that I was somewhat disappointed by this third instalment of the Iron Man series of movies. Sure Robert Downey Jr. as Tony Stark is quite funny (not always but a lot of the time) and there are plenty of nice special effects and things being blown up. However, the story is just crap. The premise of Killian using the Mandarin for terrorism to cover up the fact that his experiments occasionally fails is just ludicrous. The Mandarin himself is a joke and another good example of how ignorant script writers just pick names out of existing material and uses them not caring how much they screw up established characters and world building already done. Whoever wrote this script should be ashamed of himself. What is worse, the entire movie is very anti-Iron-Man. It starts right of with Stark being obsessed by his Iron Man suits and a lot of harping about him stopping being Iron Man. Most of the time Stark is running around without his suit and the few times he is in it then the suit does not work properly or is shot off him almost immediately. Actually, most of Stark’s cool stuff is just shot to hell most of the time. The end is full of fireworks but again, it is mostly a display in how you can destroy Iron Man suits and some more anti-Iron-Man crap. I cannot say that I did not enjoy watching the fireworks and special effects but as a whole I am disappointed with this movie.
Rating:
5.0
Reviewer:
Anonymous
Date:
July 9, 2017
This was probably the first time a movie has made me this angry in the theater. It pissed me off then and it still pisses me off when it's on television. If I could summarize this film in one word, it would be: obnoxious. I wasn't really hyped for this film but I was expecting to have some fun since I did enjoy the previous Iron Man films. This was the movie that made me start to dislike the character of Tony Stark/Iron Man (RDJ is still the man though). Stark's narcissism had charm in the previous films but here, it made him into a complete idiot, dick, and coward. The Mandarin had potential to be an effective villain but the movie scraps him for a more lame villain than Justin Hammer from Iron Man 2. The comedy was forced and annoying and the story has plot holes that were distracting. I watched Thor 2 a while after this released but the taste from this movie was so bitter that even though I thought Thor 2 was alright, I just didn't want to see anymore films from this cinematic universe. This movie is what killed the MCU for me.
Rating:
2.0
Reviewer:
DoryDarko
Date:
February 21, 2017
There can be many reasons why the original director of a franchise may decide not to return for a sequel, though they all usually have in common that they're very Hollywood-politically-correct. So exactly why Jon Favreau decided not to helm the third instalment of what is, for all intents and purposes, 'his baby' Iron Man, I can't be sure. But I can tell you one thing: something definitely changed. Everything about IM3 feels different from its predecessors. The atmosphere is darker, which is not to say it's really just a lot less humorous (which is – let's be honest – precisely what we love about Iron Man). The new characters are terribly underdeveloped and overall it's just a great deal less interesting. The storyline was completely vague to me; I'm still not really sure what the whole point of it was. And probably the biggest flaw of all – the first two films had really cool, interesting villains. This one's just really quite weird and not charismatic at all. Possibly at the core of the problem is the fact that it wasn't just one bad guy, it was many. The leading roles are shared by Guy Pearce and Sir Ben Kingsley, and – big shock – it was the latter who disappointed me the most. Not only was his role quite small, I thought it was also incredibly lame. I'd love to explain to you why, but that would be a major spoiler. I noticed some people in the audience laughing at the plot twist of Kingsley's character, but I thought it was just completely stupid and weak, and a total waste of such a great actor. Pearce is not bad, but never really manages to elevate his villain to a higher level, largely because he had zero character development to work with. Same thing with Rebecca Hall. Or the rest of Pearce's cronies for that matter... Too many to count. Sigh. Well, at least we still have Robert Downey Jr. He's as reliable as ever when it comes to carrying a film, but even he can't help it that his character is almost boring in this one. Where's the humour!? Where's the cynicism we all know and love?! Where's Tony bloody Stark! This is not the familiar overconfident, pompous macho we adore. All of a sudden, and for NO apparent reason whatsoever, this guy is insecure and suffering from anxiety attacks! What the F! Not to mention the fact that his superhero alter ego is almost completely absent for half of the film, because he's off somewhere in the middle of Tennessee finding himself or whatever... I mean, geez... I know the director left, but didn't any of the screenwriters return either? The fact that Pepper Potts had only about two minutes of relevant screen time also certainly didn't help. And when she was there, she was humourless and annoying. Big sigh. The more I think about it, the more I'm having a hard time trying to think of good things to say about this film. At least the visual effects were solid, and the sound effects were awesome. This was actually the first time I've seen a film in 3D. I've always avoided it because I was sure that it would be a complete distraction from the story. Turns out I was right in my assumption. I found it hard to focus on what was really going on, and this might have definitely been an influence in trying to follow the plot, so there's a big chance I missed a few things. Nevertheless, I can't help being very disappointed with Iron Man 3, especially since I love the first two so much. This is definitely a filmmakers' case of "could've, would've, should've". They obviously tried very hard, but never quite manage to get there. No story, no interesting characters, no filler. Nothing. Too bad. _(June 2013)_
Rating:
5.0