Jurassic World Dominion

Rate

Four years after Isla Nublar was destroyed, dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once and for all, whether human beings are to remain the apex predators on a planet they now share with history’s most fearsome creatures.

Release Date: June 1, 2022 (Theaters)

|

July 14, 2022 (Digital)

Phase:

Classification:

Runtime: 2h 27m

Network:

Netflix

Budget: $658,800,000

Box Office: $1,004,004,592

Classification

Runtime
2h 27m

Network

Production

Budget
$658,800,000

Box Office
$1,004,004,592

Chris Pratt
Owen Grady
Bryce Dallas Howard
Claire Dearing
Laura Dern
Ellie Sattler
Sam Neill
Alan Grant
Jeff Goldblum
Ian Malcolm
DeWanda Wise
Kayla Watts
Mamoudou Athie
Ramsay Cole
Isabella Sermon
Maisie Lockwood / Young Charlotte Lockwood
Campbell Scott
Lewis Dodgson
BD Wong
Henry Wu
Omar Sy
Barry Sembène
Justice Smith
Franklin Webb
Daniella Pineda
Zia Rodriguez
Scott Haze
Rainn Delacourt
Dichen Lachman
Soyona Santos
Caleb Hearon
Jeremy Bernier
Freya Parker
Denise Roberts
Alexander Owen
Angus Hetbury
Ahir Shah
Sundar Kumar
Elva Trill
Adult Charlotte Lockwood
Manuela Mora
Alicia Peréz
Jasmine Chiu
Gemma Zhao
Glynis Davies
Carolyn O'Hara
Mo Brings Plenty
Shep Wauneka
Emilie Jumeaux
Rosa Delgado
Dimitri 'Vegas' Thivaios
Maltese Smuggler
Joe Azzopardi
Rooftop Agent
Lynn Hunter
Hog Farmer
Ben Cooke
Black Car Driver
Patrick Loungway
Paleontologist
Michael Bendib
T-Bone Car Driver
Yasmine Bouabid
Rescue Chopper Pilot
Ross Donnelly
Washington Pedestrian (uncredited)
Metin Hassan
Maltese Gangster (uncredited)
Gjee Wade II
Foreman (uncredited)
Colin Trevorrow
Director / Executive Producer / Screenplay / Story
Alexandra Derbyshire
Executive Producer
Steven Spielberg
Executive Producer
Patrick Crowley
Producer / Unit Production Manager
Adam Banks
Special Effects Technician
Adam Stanton
Special Effects Technician
Ahmed Gobba
Visual Effects Supervisor
Al Nelson
Sound Designer / Supervising Sound Editor
Alex Bowens
Assistant Art Director
Alistair Whitton
Stunt Double
Andrea Michelon
Digital Imaging Technician
Andrew Banwell
Camera Operator
Andrew Simonin
Hairstylist
Andy Homan
Special Effects Technician
Ann Podlozny
Visual Effects Producer
Annie Gilhooly
Property Builder
Annys Hamilton
Associate Producer
Ben Aickin
Digital Compositor
Ben Collins
Stunts / Supervising Art Director
Ben Cooke
Stunt Coordinator
Benjamin A. Burtt
Sound Effects Editor
Benjamin Last
Concept Artist
Beth Trinder
Camera Trainee
Brendan Handscombe
Costume Supervisor
Cassandra Ebner
Stunt Double
Charles Lai
Compositing Supervisor
Charlie Endean
Associate Producer / First Assistant Director
Charlie Pedersen
Special Effects Technician
Charlotte Hayward
Makeup Artist
Charlotte Rogers
Hairstylist
Chris Clarke
Special Effects Technician
Chris Lyons
Special Effects Makeup Artist
Chris Navarro
ADR Recordist
Chris Peters
Art Direction
Chris Romrell
Stunt Double
Chris Rosewarne
Concept Artist
Christopher Boyes
Sound Re-Recording Mixer
Christopher Potter
Lead Animator
Claire Peerless
Draughtsman
Clare Glass
Stunt Coordinator
Colin Nicholson
Special Effects Technician
Coya Elliott
Foley Editor
Craig Tilbury
Special Effects Technician
Dan Bradley
Second Unit Director / Stunt Coordinator
Dan Snape
Visual Effects Supervisor
Dan Williams
Special Effects Technician
Danny Virtue
Animal Wrangler / Stunt Coordinator
Darrell Guyon
Special Effects Technician
David Balfour
Property Master
David Cox
Hairstylist / Makeup Artist
David Grant
Stunt Double
David Vickery
Visual Effects Supervisor
Davide Losi
Sculptor
Dean Southan
Camera Trainee
Deanna Marshall
Accounting Trainee
Desiree Azzopardi
Set Decoration Buyer
Dominique Law
Assistant Art Director
Fenilconic
Sound Effects Designer
Frank Gallacher
Assistant Costume Designer
Frank Guiney
Special Effects Technician
Fraser Fennell-Ball
Second Unit First Assistant Director
Frederick Buhagiar
Special Effects Technician
Garth Gutteridge
Special Effects Technician
Grace Westwood
Art Department Assistant
Gwendolyn Yates Whittle
Supervising Sound Editor
Hugh McClelland
Assistant Art Director
Ian Fox
"A" Camera Operator
James Green
Special Effects Assistant
Jana Vance
Foley Artist
Jane Galli
Makeup Artist
Jane Gooday
Assistant Costume Designer
Jason Reed
Special Effects Technician
Jaydan Smith
Special Effects Technician
Jeanie King
Executive Visual Effects Producer
Jeremy Turner
Assistant Costume Designer
Jesse Thomson
Stunt Double
Jessica O'Shea
Key Hair Stylist / Key Makeup Artist
Jim Barr
Art Direction
Joanna Johnston
Costume Design
Joanne Lees
Assistant Costume Designer
Jody Keys
Stunts
Joe Thomson
Assistant Grip
John Casali
Production Sound Mixer
John Schwartzman
Director of Photography
John Van Der Pool
Special Effects Technician
John Wells
Property Master
John Williams
Main Title Theme Composer
Jonathan Oram
Special Effects Technician
Karen Cohen
Hair Supervisor / Makeup Supervisor
Karol Stachowicz
Special Effects Technician
Karolina Majka
Production Assistant
Keely Lanigan-Atkins
Assistant Art Director
Kevin Jenkins
Production Design
Kirk Thornton
Best Boy Grip
Kyle Conder
Special Effects Assistant
Kyle Jerichow
Special Effects Assistant
Laurie Pellard
Special Effects Technician
Lee Briggs
Visual Effects Producer
Lee McNair
Animation Supervisor
Liam Georgensen
Art Direction
Liam McGill
Rigging Gaffer
Lincoln Benjamin
Digital Imaging Technician
Louise Dobson
Art Department Coordinator
Luke Marcel
Special Effects Technician
Luke Sanders
Assistant Art Director
Luke Tumber
Stunt Driver / Stunts
Luke Turner
Special Effects Technician
Marie Isabel
Assistant Set Decoration
Mark Bakowski
Visual Effects Supervisor
Mark Evans
Special Effects Technician
Marlow Warrington-Mattei
Stunt Coordinator
Matt Osborne
Additional Colorist
Matthew G. Armstrong
Special Effects Technician
Max Burslem
Special Effects Technician
Melissa Wood
Art Department Assistant
Michael Giacchino
Original Music Composer
Mickaela Trodden
Assistant Set Decoration
Natalie Cooke
Visual Effects Coordinator
Neil McKelvey
Special Effects Technician
Nigel Sinclair
Special Effects Technician
Nina Gold
Casting
Nina Jalava
Stand In
Noah Meddings
Special Effects Technician
Nuria Mbomio
Makeup & Hair
Patrick Loungway
Second Unit Director
Paul Biddiss
Military Consultant
Paul Corbould
Special Effects Supervisor
Paul Jones
Standby Carpenter
Paul Knowles
Special Effects Technician
Pete Cavaciuti
"B" Camera Operator / Steadicam Operator
Pete Horner
Sound Re-Recording Mixer
Pete Windle
Special Effects Technician
Peter James
Standby Art Director
Petra Balogh
Assistant Art Director
Phoebe Tait
Special Effects Technician
Polly Earnshaw
Makeup Artist
Quinn Robinson
Art Direction
Rhys Ifan
Art Direction
Richard Roberts
Set Decoration
Robert Martin
Set Decorating Coordinator
Rod McLean
Art Direction
Roland Heap
ADR Mixer
Ronni Brown
Foley Artist
Roxy Stapleton
Assistant Set Decoration
Rupert Morency
Special Effects Technician
Ryan Ennis
Stunt Driver
Ryan Taggart
First Assistant "A" Camera
Sallie Jaye
Makeup Artist
Sam Irwin
Second Assistant "B" Camera
Sam Perez
Special Effects Technician
Samantha Denyer
Key Hair Stylist / Key Makeup Artist
Sarah Ginn
Art Direction
Sarah Lochlan
Stunt Double
Sarah Sanderson
Set Decorating Coordinator
Scott Guitteau
Sound Effects Editor
Sean Clarke
Special Effects Technician
Sean Leeson
Special Effects Technician
Simon Dunn
Second Assistant "A" Camera
Simon Fogg
Dolly Grip
Simon Muir
Dolly Grip
Simon Paraskevas
Special Effects Technician
Siân Grigg
Hair Designer / Makeup Designer
Sonia Kasparian
Assistant Art Director
Stefan Sonnenfeld
Digital Intermediate Colorist
Stuart Kerr
Special Effects Technician
Stuart McCowan
Sound Effects Editor
Sunit Saha
Visual Effects Production Manager
Teri Fairhurst
Draughtsman
Tessa Flanagan
Art Department Assistant
Tim Wellspring
Associate Producer / Unit Production Manager
Tobias Eedy
First Assistant "B" Camera
Tom Hatt
Stunts
Tom Whitehead
Art Direction
Tracey Wilson
Storyboard Artist
Vivian Baker
Makeup Artist
William Brett
Special Effects Technician
Wojciech Modrzewski
In Memory Of / Stunts
Ziggy Golden
Hairstylist / Makeup Artist
Zoey Stones
Key Hair Stylist / Key Makeup Artist

Posters

Backgrounds

Stream
Rent
Buy
Reviewer:
daniel_carr
Date:
January 20, 2026
Fantastic movie, with great special effects, wonderful story and plot and awesome actors! The plot was a bit simple get from A to B and don't die but still a thrilling ride. Loved the way the Dinosaurs were in our world and not isolated on their own island. Although that too wasn't an original idea was great to see them trying a different angle rather than sticking to the same formula. Great job and loved the way they tied the old and new together both the dinosaurs and the actors! Brilliant
Rating:
7.0
Reviewer:
Killface
Date:
December 29, 2024
This movie reminds me of the 90s. After JP 1 came out, cable tv was flooded with bad dinosaur movies from all decades, including the ripoffs of JP1. This is just one of those films.
Rating:
1.0
Reviewer:
Andre Wilfred Sanders
Date:
July 6, 2023
The course of the modern series of Jurassic Park films has become completely different from the old series, lost in the wind and far from the path of success. The story has become weak and lacks events that attract the viewer, and illogical imagination has been introduced excessively, which we are not used to in the old series.
Rating:
4.0
Reviewer:
Axel
Date:
March 7, 2023
Jurassic World Dominion fails to impress as a dinosaur movie, as the plot seems to be a poor choice. The dinosaurs are present but not the main focus, giving the impression that they are only there to extend the franchise. Even the inclusion of Alan Grant seems to be more for nostalgic purposes than contributing to the story. Chris Pratt's character also appears to be underutilized and serves more as a prop rather than a leading character. The camera work in the movie is particularly shoddy, with cuts from one angle to another creating confusion, especially in fast-paced scenes like the one in Malta. The depiction of Malta in the movie is also disappointing, with the country portrayed as a dirty, third-world Arabic nation covered in desert sand, which is not an accurate representation of the country. The use of Arabic style music in the background also seems out of place and unnecessary. Overall, Jurassic World Dominion seems to be a movie that was made to extend the franchise rather than being a well-planned and executed story. It is disappointing that a franchise that should have stopped by the third installment continues to churn out mediocre movies. Although the movie is not a complete disaster, it falls short of being an enjoyable watch. Additionally, the length of the movie seems to be excessive, and the dragging plot does not help in holding the audience's attention. The story's predictability adds to the monotony, leaving little to surprise or engage the viewers. As if to acknowledge the franchise's overreliance on gimmicks and sequels, Ian Malcolm's line, "Jurassic World? Not a fan," serves as a meta-commentary on the movie itself. It is a nod to the fans who have been disappointed by the franchise's recent offerings, and unfortunately, Jurassic World Dominion does little to change that sentiment. 5/10
Rating:
5.0
Reviewer:
Wuchak
Date:
December 29, 2022
**_The Jurassic Park protagonists come together in Marvel’s Savage Land, minus Ka-Zar_** As dinosaurs freely roam the Earth, Owen & Claire (Chris Pratt and Bryce Dallas Howard) seek to find their kidnapped adopted daughter (Isabella Sermon), which takes them to Malta and then a remote dinosaur preserve in the Dolomite Mountains of northeastern Italy. Meanwhile Ellie Sattler and Alan Grant (Laura Dern and Sam Neill) have serious concerns about the remote facility wherein they reunite with Ian Malcolm (Jeff Goldblum). "Jurassic World: Dominion" (2022) isn’t great like the previous “Fallen Kingdom” (2018) and is arguably the least of the second trilogy. There are some Indiana Jones elements in the Malta segment and James Bond bits at the technologically advanced lair in the mountains, both of which I appreciate. Yet I strangely never bought the characters as real people. They always struck me as actors performing according to a contrived script, which tries too hard to check the diversity boxes. Still, there’s certainly enough here to entertain if you’re interested in a dinosaur-oriented sci-fi adventure. The film runs 2 hours, 27 minutes, with the Extended Version running just over 12 minutes longer (I viewed the latter). The primary shooting locations include British Columbia, Malta, Hawaii and the UK (Pinewood Studios). GRADE: B-/C+
Rating:
6.0
Reviewer:
Dark Jedi
Date:
October 23, 2022
Well, the dinosaur special effects are quite decent. Unfortunately that is more or less the only reason to watch this movie. I really do not understand how the Hollywood idiots can decide to spend loads of money on special effects but not bother to get a decent story/script writer? I mean come on, the story of this movie is just another thirteen on a dozen “big companies are bad” story with dinosaurs thrown in. The story is convoluted to say the least and there is as much logic in it as you would expect from a Hollywood writer hack. Things more or less just happen and the “heroes” fight off one dinosaur attack after another on their way to the bad gay without ever tiring. And why the hell can Hollywood never produce a movie where the “heroes” doesn’t just stare like idiots at something until they are screwed? Idiotic nonsens like being able to train a dinosaur to home in on someone like a heat seeking missile and chase them forever after having pointed a laser marker on them for a couple of seconds is also the usual unintelligent Hollywood nonsense that just ruins a movie for anyone with anything like average intelligence. They brough back some of the old characters but they do not really help. The mostly act like they cannot wait to get paid and get out of there. Jeff Goldblum is his usual climate cult procelyte. I did not really like him in the first movie and he is even worse in this one. The bad guy totally lacks charisma. The only character I really liked was DeWanda Wise as Kyle Watts. It is really a shame to see another franchise destroyed by today’s Hollywood morons. I’ve been a dinosaur fan since I was a kid and when the first Jurassic Parc came out with real, life like dinosaurs it was just wow. But now, not even the special effects can save this movie. It is not a good movie, plain and simple.
Rating:
4.0
Reviewer:
JPV852
Date:
August 25, 2022
Wow. Genetically modified locusts. I hope Universal got a discount on the screenwriters... On the plus side, some of the effects were okay. The hero shots of the two franchises (Jurassic Park and Jurassic World) looked good. Otherwise this was a slug to get through and felt like the old guard and new guard were phoning it in. I didn't like Lost Kingdom very much but at least it was entertainingly dumb. **1.25/5**
Rating:
2.0
Reviewer:
The Movie Mob
Date:
August 20, 2022
**Not as bad as reviews say, but go in with reasonable expectations.** As the conclusion of the Jurassic World trilogy, it, unfortunately, had similarities to Rise of Skywalker. A lot of things were going on. Some fun moments. Great nostalgia with the legacy cast. Lots of dino action. But it also felt like they had so much going on that they ran out of time to highlight characters and make us care. I will always love Jurassic Park, so this movie got a little boost in rating because of nostalgia from me.
Rating:
7.0
Reviewer:
Peter McGinn
Date:
August 7, 2022
So after watching the first four movies in this franchise (three of which I had seen more than once, I finally watched this most recent effort. There are similarities and differences between Dominion and the earlier ones. It held some of the usual elements: a child for us to care when they placed her in danger; the ability of the heroes (even the child) to outrun dinosaurs under a blind panic; walking dinosaur food, also known as bad guys; and references to the original theme park that started it all. They outdid themselves this time - keep an eye out for the Barbasol shaving cream canister. Of course, there are plenty of differences also. Parts of it weren’t even recognizable as part of the franchise. They juggle plot lines around the dinosaurs, the ethics of genetic engineering, a child clone kidnapping, industrial malfeasance, and what for me was the most interesting subplot and most closely tied to the original film: the struggle for humans and dinosaurs to co-exist under the new planetary paradigm. Another difference is that there are two romances developing throughout the film. An improvement is the return of characters we know well: Ellie Sattler and Alan Grant are back, and Ian Malcolm is present long enough to get in a few of his witticisms, unlike in the last movie. So ultimately I found Dominion to be entertaining enough to stick with it, though the aspects that might have been intended to make me think just sort of got in the way.
Rating:
6.0
Reviewer:
r96sk
Date:
July 13, 2022
'Jurassic World Dominion' is far from perfect, if just about entertaining to watch... kinda. I'm not fully convinced by it but I do think there's enough in there that's worth watching. There are too many characters, even main characters with the original trio and the newer duo both involved equally. With that said, I do like 'em. It's pleasant to see Sam Neill, Laura Dern and Jeff Goldblum, while Chris Pratt and Bryce Dallas Howard are a good pairing. Still, I wouldn't say any one character stands out here. They all make their presence known, though I'm struggling to remember any great moments individually - that's due to the aforementioned surplus. The rest of the cast, fwiw, are all fine - Mamoudou Athie sticks out most in that regard. The run time is overlong, in my opinion. I personally could've done without 30 or so minutes and I wouldn't have felt it was missing anything. The story itself isn't all that fresh, as in I feel like I've seen this sorta thing before (I mean, Biosyn... how creative!), but the barrage of dinosaur-centric action probably just abouts tips it over into a positive rating for yours truly. Could easily be lower, though. I'd love for this to be the end of the Jurassic franchise (is there much more to tell?) but there ain't no way Amblin/Universal are leaving this IP to collect dust, let's be honest.
Rating:
7.0
Reviewer:
Chris Sawin
Date:
June 16, 2022
With _Jurassic World Dominion_, a _Jurassic World_ film where dinosaurs are now free and interacting with the modern world shouldn’t feel this long-winded or this tiresome. There are a few action sequences that are worthwhile and Jeff Goldblum has a few great one-liners (“You made a promise to a dinosaur?”), but the film is a monumental disappointment overall. The film has already made over $415 million at the worldwide box office, so the interest in the franchise is still there. But the chemistry between the cast is almost non-existent and it feels like the film is running on fumes as it tries to offer something new from what is otherwise dried up fossil fuel. If the _Jurassic Park/Jurassic World_ franchise is to continue, it desperately needs to go in a refreshing and unseen direction. Now that all of the nostalgia is out of the way, fans deserve a refreshing and unique adventure over what is otherwise a glorified rehash. **Full review:**
Rating:
4.0
Reviewer:
Manuel São Bento
Date:
June 14, 2022
FULL SPOILER-FREE REVIEW @ "Jurassic World Dominion is a massive disappointment on virtually every level. With an incredibly captivating premise, Colin Trevorrow ignores the fascinating years of mankind trying to deal with the chaos of dinosaurs repopulating Earth, opting instead to write a generic, formulaic, surprisingly tedious screenplay. In addition to the lousy character treatment, the cast is divided into two storylines focused on nonsensical, bland rescue and espionage missions, placing dinosaurs on the back burner during the excessively long runtime. Action sequences reach drastically low entertainment levels, sometimes imperceptible due to erratic camera work and choppy editing. The cast, visuals, and score might save this from being a complete trainwreck, but not from miserably failing to deliver an epic conclusion to a saga that deserved nothing less than that." Rating: D
Rating:
3.0
Reviewer:
CinemaSerf
Date:
June 13, 2022
"Owen" (Chris Pratt) and "Claire" (Bryce Dallas Howard) are living in the remote wilderness with "Maisie" (Isabella Sermon), whom they are desperate to protect. From what? Well it turns out she is a bit of a miraculous conception from the "Lockwood" dynasty that co-founded the original park with "Hammond" and is very much on the radar of corporate megalomanic "Dodgson" (Campbell Scott) whose company is devising super-engineered locusts to devour great swathes of crops across the United States that are not grown from their own brand of seed. This is where "Sattler" (Laura Dern) comes in. She is convinced of this dastardly plan, but must compare the DNA of one from his lab with one they secured in the wild so she can prove it. Her plan enlists the help of old pal "Grant" (Sam Neill) and with the help of their intellectual nemesis "Malcolm" (a suitably contrarian effort from Jeff Goldblum) they secure an invitation to the company's sanctuary in the Italian Dolomites. Meantime, the young girl is abducted from her wintry home, as is the baby of velociraptor "Blue" and so Pratt and Howard have to track them down, and that takes them on some quickly paced, but hardly original, set piece adventures where they meet pilot "Kayla" (DeWanda Wise). She chips in to help them in what now reminded me of aspects of the Brendan Fraser "Mummy" films, before they also end up in the Italian mountains. Can they team up and thwart the cunning plan? The problem with this, is that there are just way too many characters and too many weakly constructed threads to the story going on. It's all too diffuse and serendipity in the last hour or so just takes far too great a hand in the way the narrative combines and develops. The dinosaur effects are still amazing, but oddly enough I felt them less effective than in previous iterations - there just aren't enough scenes that feature them and when they do, they are just under-used. Pratt is always good value for me, but here he looks out of sorts and hardly features at all; Scott just doesn't cut it as the malevolent baddie (though could his character be the same guy who tried to buy the specimens in the first film?) and Sam Neill relies too much on his bemused facial expressions - indeed his best work on this is pretty much all included in the trailers. It looks great on big screen, includes a few bars now and again from John Williams masterful 1993 score, but for the main part this is a pretty mediocre conclusion to a great franchise with an ending that is rushed and entirely predictable.
Rating:
6.0