Star Trek: Nemesis

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En route to the honeymoon of William Riker to Deanna Troi on her home planet of Betazed, Captain Jean-Luc Picard and the crew of the U.S.S. Enterprise receives word from Starfleet that a coup has resulted in the installation of a new Romulan political leader, Shinzon, who claims to seek peace with the human-backed United Federation of Planets. Once in enemy territory, the captain and his crew make a startling discovery: Shinzon is human, a slave from the Romulan sister planet of Remus, and has a secret, shocking relationship to Picard himself.

Release Date: December 13, 2002 (Theaters)

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January 17, 2003 (Digital)

Phase:

Classification:

Runtime: 1h 56m

Budget: $60,000,000

Box Office: $67,336,470

Classification

Runtime
1h 56m

Network

Production

Budget
$60,000,000

Box Office
$67,336,470

Patrick Stewart
Captain Jean-Luc Picard
Jonathan Frakes
Commander William T. Riker
Brent Spiner
Lt. Commander Data
LeVar Burton
Lt. Commander Geordi La Forge
Michael Dorn
Lt. Commander Worf
Gates McFadden
Dr. Beverly Crusher
Marina Sirtis
Counselor Deanna Troi
Tom Hardy
Praetor Shinzon
Ron Perlman
Viceroy Vkruk
Dina Meyer
Commander Donatra
Jude Ciccolella
Commander Suran
Shannon Cochran
Senator Tal'aura
Kate Mulgrew
Admiral Janeway
Wil Wheaton
Wesley Crusher
Stuart Baird
Scimitar Computer (voice)
Alan Dale
Praetor Hiren
David Ralphe
Commander
Majel Barrett
Computer (voice)
Bryan Singer
Kelly (uncredited)
Whoopi Goldberg
Guinan (uncredited)
Wanda Roth
Starfleet Lieutenant (uncredited)
Stuart Baird
Director
Marty Hornstein
Executive Producer
Rick Berman
Producer / Story
Ahna Packard
Set Designer
Alan Robert Murray
Supervising Sound Editor
Allan A. Apone
Makeup Artist
Andrew Petrotta
Assistant Property Master
Anthony J. Scarano
Costume Supervisor
Bart Mixon
Makeup Artist
Bert Rodriguez
Construction Foreman
Bob Ahmanson
Pyrotechnician
Bob Ringwood
Costume Design
Brennan Dyson
Stunt Double
Brian J. Williams
Stunt Double
Bub Asman
Supervising Sound Editor
Cesar Orozco
Propmaker
Cherie Baker
Art Direction
Chris Jenkins
Sound Re-Recording Mixer
Chris McBee
Hairstylist
Chris Pavlu
Electrician
Conrad Pope
Orchestrator
Dan Delgado
Chief Lighting Technician
Daniel Nichols
First Assistant Camera
David Grimaldi
Sound Effects Editor
David Kaiser
Electrician
David Katz
Video Assist Operator
David Mayreis
Set Costumer
David Tully
Greensman
Declan Quinn
Visual Effects Coordinator
Diane Pepper
Hairstylist
Donald B. Woodruff
Art Direction
Doug Coleman
Second Unit Director / Stunt Coordinator
Doug Jackson
Sound Effects Editor
Earl Ellis
Makeup Artist
Eli Golub
Libra Head Technician
Elizabeth Rabe
Additional Hairstylist
Ellis Burman Jr.
Makeup Artist
Evangeline Monroy
Visual Effects Coordinator
Flemming Olsen
Second Unit Director of Photography
Fran Murphy
Set Costumer
Frank A. Montaño
Sound Re-Recording Mixer
Frank Mathews
Assistant Chief Lighting Technician
Frank Smathers
Supervising Dialogue Editor
Fred Burke
Foley Editor
Galen Goodpaster
Assistant Sound Editor
Gene Roddenberry
Original Series Creator
Glen Magers
Electrician
Glenn Cannon
Video Assist Operator
Greg Langham
Assistant Chief Lighting Technician
Gregory J. Schmidt
Camera Operator
Gregory Lundsgaard
Steadicam Operator
Harry Cohen
Sound Designer
Heather J. Morrison
Visual Effects Editor
Herman F. Zimmerman
Production Design
Howard Neiman
Sound Effects Editor
Jake Garber
Makeup Artist
James M. Davis
Construction Foreman
James Simcik
Supervising ADR Editor
James Van Over
Scenic Artist
James Wolvington
Sound Designer
James Wright
Dolby Consultant
Jamie Rama
Storyboard Artist
Jane Austin
Stunt Double
Jason King
Sound Effects Editor
Jason Wasserman
Assistant Editor
Jeffrey L. Kimball
Director of Photography
Jens Zalzala
CG Animator
Jerry Goldsmith
Original Music Composer
Jerry Moss
Property Master
Jill Rockow
Prosthetic Makeup Artist
Jim Chase
Rigging Grip
Jim Passon
Color Timer
Jim Rose
Electrician
Joe Jackman
CG Animator
Joe Pinkos
Set Dresser
Joey Box
Stunts
John Holcombe
Construction Foreman
John Logan
Screenplay / Story
John M. Dwyer
Set Decoration
Jon Braver
Stunt Double / Stunts
Jon-Marc Kortsch
3D Animator
Joseph F. Brennan
Boom Operator
Joy Zapata
Hair Department Head
Judy Crown
Hairstylist
Julia L. Walker
Hairstylist
June Westmore
Makeup Artist
Karen Asano-Myers
Key Hair Stylist
Kathe Swanson
Hairstylist
Keith Huggins
CG Animator
Kenneth Hall
Supervising Music Editor
Kenneth Jones
Visual Effects Supervisor
Kenneth Sayers
Set Dresser
Kerry Lyn McKissick
Script Supervisor
Kevin Gillen
CG Animator
Kino Scialabba
Concept Artist
Larry Sweet
Rigging Grip
Layna McAllister
Assistant Camera
Leo J. Napolitano
Camera Operator
Linda Trainoff
Hairstylist
Lis Bothwell
Set Costumer
Lisa Meyers
Hairstylist
Lori Harris
Set Costumer
Lou Pecora
Digital Compositor
Lukas Henrey
Electrician
Marc Tantin
Propmaker
Mariano Díaz
Concept Artist
Mark De Alessandro
Stunt Double
Mark Eggenweiler
Visual Effects Editor
Mark McKenzie
Orchestrator
Mark Meyers
Dolly Grip
Mark Owen Forker
Visual Effects Supervisor
Markus Kurtz
CG Supervisor
Marsha Shearrill
Makeup Artist
Martha Johnston
Set Designer
Martin Reder
Lighting Technician
Matt Cordner
CG Animator
Matthew C. May
Assistant Sound Editor
Michael Klastorin
Unit Publicist
Michael Kory
3D Artist
Michael Van Dyke
Construction Foreman
Michael Westmore
Makeup Designer / Makeup Supervisor
Mike Szakmeister
Dialogue Editor
Monica Fedrick
Graphic Designer
Nick Vidar
Music Programmer
Noyan Cosarer
Sound Re-Recording Mixer
Ora Green
Hairstylist
Paul C. Warschilka
Sound Effects Editor
Paul Sklar
Stunt Double
Penny Smartt-Juday
Art Department Coordinator
Randy K. Singer
Foley Mixer
Richard Corwin
Dialogue Editor
Richard Greenberg
Title Designer
Richard J. Bayard
Construction Coordinator
Richard Kite
Cableman
Richard Schoen
Key Costumer
Rick Sternbach
Scenic Artist
Rick Stratton
Makeup Artist
Robert Blackman
Costume Design
Robert Gray
Set Dresser
Robert Schajer
Visual Effects Editor
Robert Van Dyke
Construction Foreman
Robert Woodruff
Set Designer
Robin Harlan
Foley Artist
Rochelle Best
Set Costumer
Ron Gress
Visual Effects Art Director
Ronald K. Nomura
Art Department Assistant
Ronald R. Reiss
Set Decoration
Sam Emerson
Still Photographer
Sam Mendoza
Construction Foreman
Sandra Collier
Set Costumer
Sarah Monat
Foley Artist
Scott Curtis
Foley Editor
Scott Edelstein
3D Animator
Scott G.G. Haller
Foley Editor
Scott Herbertson
Set Designer
Scott Janush
Assistant Editor
Shawn Baden
Scenic Artist
Shawn McKay
Hairstylist
Sonia Izzolena
Stunt Double / Stunts
Steve Callas
Construction Foreman
Steve Mann
Sound Effects Editor
Steven E. Fegley
Construction Foreman
Steven Serna
Rigging Grip
Susan Kurtz
Dialogue Editor
Tammy Fearing
ADR Editor
Terry Baliel
Hairstylist
Thomas Causey
Sound Mixer
Thomas Zell
Pyrotechnician
Tim Rigby
Stunts
Tina Hoffman
Makeup Artist
Todd Isroelit
Visual Effects Producer
Tom Boyd
Musician
Tom Jung
Storyboard Artist
Tom Mahoney
Scenic Artist
Tom Morga
Stunts
Tom Southwell
Concept Artist
Toni-Ann Walker
Hairstylist
Willard Livingston
Construction Foreman
William Cawley
Assistant Sound Editor
William Cueto
Electrician
William J. Meshover
Assistant Editor
Zoltan Elek
Makeup Artist

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Reviewer:
CinemaSerf
Date:
November 10, 2022
This time it's the "Next Generation" who take to the silver screen in what I found to be a passable adventure film. Even for a "Star Trek" film, it starts of implausibly though with "Riker" and "Troi" getting married and having their first dance - but there was no "Lady in Red" or "I Will Always Love You"... we didn't even get Tammy Wynette singing "DIVORCE"... Cleary this film was going to be lacking in realism then... Anyway, shortly afterwards "Capt. Picard" (Patrick Stewart) and the crew head to "Romulus" for a summit only to find that Alan Dale and the entire senate have been assassinated and that Praetor "Shinzon" (Tom Hardy) is in charge of a very heavily armed warship. The two men meet and it is quite clear that the former has megalomaniacal tendencies that involve a personal relationship with our brave Captain. The story is not so hot, the plot - as ever with this strand of ST couldn't just have a straightforward action theme - phasers and photon torpedos at the ready. No, we had to have some dull familial sub-plots and the always annoying "Data" (Brent Spiner) finds himself a brother (think "C3PO" on the Cloud City above "Bespin"). Anyway, trust wains, tempers flare and the last twenty minutes are genuinely at the better end of ST moviedom - loads of pyrotechnics and hammy acting. Hardy does fine as the baddie (he was only 25) and the rest of the established cast turn up and go through the motions as usual. It benefits from less moralising and more action, and is perfectly watchable - if entirely forgettable afterwards.
Rating:
6.0
Reviewer:
Wuchak
Date:
March 27, 2021
_**Solid Trek Film**_ So many people inexplicably love to hate "Star Trek: Nemesis" (2002), but it's actually a solid Trek film featuring the Next Generation cast. The lengthy space battle in the final act is second to none in the Star Trek franchise. But that's not the main reason I like it. I like the whole exploration of the conflict of flesh (Shinzon) and spirit (Picard) and the debate over nature (Picard) vs. Nurture (Shinzon), or is it nature (Shinzon) vs. Nurture (Picard)? Like "Star Trek VII: Generations" (1994), it entertains while delving into deeper themes, although "Generations" is better (a near masterpiece, in fact; see my review for details). Data's course of action at the end is way more compelling and moving than a similar scene in "Star Trek II: The Wrath of Khan" (1982). Think about it, Data becomes the Christ figure by making the ultimate gesture of love and loyalty; an android, no less. Speaking of TWOK, "Nemesis" is often said to be a quasi-remake of that film. It shares some plot elements of the trilogy (TWOK, TSFS and TVH), but that's it (more specifically, the space stand-off, Data's sacrifice and the "resurrection" of a blank-version of himself). It's an homage, not a remake, and better than the overrated TWOK. While NEMESIS may not rank with the greatest of Trek films, it's certainly a solid Trek movie, along the lines of "Star Trek VI: The Undiscovered Country" (1991). It has the most beautiful space sequences in the series and the score by Jerry Goldsmith is superlative as usual, not to mention welcomely familiar. Concerning the incredible ire the dune buggy sequence has provoked, I'm at a loss. The landing party had to cover a lot of terrain, how else would they do it without something to travel in? Why walk miles on end when you don't have to? Besides, it's a fun scene and gives the austere proceedings a much-needed jolt at that particular point. Be sure to check out the deleted scenes; there are a couple that shouldn't have been cut, like the one involving Riker's joke on Picard's new First Officer and an amusing one involving Picard and Data having a discussion over wine. The film runs 1 hour, 55 minutes. GRADE: B+
Rating:
7.0
Reviewer:
Kamurai
Date:
October 23, 2020
Good watch, could watch again and can recommend (at least for dedicated "Star Trek" fans). I feel like I just enjoy "Star Trek" TNG just enough that I just like that we have movies. I thought this was good, but I completely understand if other people didn't appreciate it. While the core of the concept is a little wonky, the look into the Romulan Empire and it's caste system is somewhat interesting on its own. It does create a lot of questions though, such as why the "untouchable" caste would be given enough resources to create such an impressive warship. We get another look into the significance of Data's character, particularly that he isn't an easy creation and cannot be copied simply. It's not the best movie, but it is fun to see some more of "Star Trek" TNG.
Rating:
6.0