Not really that fused on this, it's quite silly.

This begins the total collapse of Bond films. We have the usual formula of beautiful women and lots of action, but here the action is very unmotivated. Bond finds himself a body guard to a spoiled beauty queen, and we figure out early that the real heroine is the more matter of fact educated woman. ... This begins the total collapse of Bond films. We have the usual formula of beautiful women and lots of action, but here the action is very unmotivated. Bond finds himself a body guard to a spoiled beauty queen, and we figure out early that the real heroine is the more matter of fact educated woman. That's fair enough. Still, everything that happens just looks contrived to make it end a certain way, with as depressing an ending as is allowed. That's the Hollywood formula, to make the world depressing for young men, and that's all they set out to do in this movie.

So Goldeneye wasn't great, but it wasn't bad either and it was a solid entry into the 007 franchise. Tomorrow Never Dies was fan-freaking-tastic.... ... and then this. Yay, it's 007. What the heck happened? I'm thinking Goldeneye (N64) happened. I'm thinking that they made close to as much money off... So Goldeneye wasn't great, but it wasn't bad either and it was a solid entry into the 007 franchise. Tomorrow Never Dies was fan-freaking-tastic.... ... and then this. Yay, it's 007. What the heck happened? I'm thinking Goldeneye (N64) happened. I'm thinking that they made close to as much money off the FPS as they did off the film and wanted to emulate it by making a movie that would transfer well into that genre of video game, but didn't realize that Bond (N64) was only legendary because it was the first time that four of your friends could gather around a television and kill each other. And then... the Bond Girl, as much as I love the final joke about her name, she did NOT come across as a believable nuclear scientist. John Cleese was fun, but a horrible replacement Q. We started to see more Moore style silliness come back in a Brosnan Era Bond who was getting pretty close to Flemming and Connery and that just didn't work. Moore style silliness with a Connery style plot. It just didn't fit well together and, though it is not totally unwatchable, it's also not a good example of a Bond film

**One of my favorite Bond films with surprising villains, more profound character development, great action, and a fitting farewell to a beloved character.** The World Is Not Enough's massive box office success resulted from its excellent villains, beautiful filming locations, great characters, and ... **One of my favorite Bond films with surprising villains, more profound character development, great action, and a fitting farewell to a beloved character.** The World Is Not Enough's massive box office success resulted from its excellent villains, beautiful filming locations, great characters, and endearing send-off of Desmond Llewelyn. This Bond film surprised with a masterminding, manipulative, and powerful female antagonist (the first in the Bond franchise since From Russia with Love in 1963). Sophie Marceau's portrayal of Electra King was innocent and vulnerable while cunning and ruthless - one of the best Bond villains of the last 30 years. The World Is Not Enough develops its female characters much more than a typical Bond movie by spending time exploring Elektra's complex character and introducing a confident, guarded, and beautiful nuclear physicist, Christmas Jones. Denise Richards' Dr. Jones isn't a helpless damsel but partners with Bond to stop catastrophe rather than immediately falling for his charms. Pierce Brosnan returned to his iconic role balancing his suave charm with icy brutality. Without a doubt, Brosnan is my favorite Bond. The action stands out as one of the best action offerings of the 1990s, and the pacing keeps the movie thrilling and engaging. The World Is Not Enough is a great Bond film with an exceptional villain and a friendly farewell to a series great.

Love Brosnan as Bond but man was he straddled with a bad script and even worse casting with Denise Richards playing a nuclear scientist. I get pre-Craig Bonds always had a tongue-in-cheek streak to them and ridiculous scenes (the opening boat chase was laughable once it went to the street) but this was a bridge too far (only to be outdone in a scene in Die Another Day). That said, there are some decent action set pieces and Brosnan still has the charm. **3.0/5**

I am afraid I struggled with this film right from the get-go. Not that Pierce Brosnan doesn't turn in a decent enough effort as "007", it's the supporting cast that are pretty average and the story - it is just so weak. Arch-baddie "Renard" (Robert Carlyle) has been shot in the head so gets stronger... I am afraid I struggled with this film right from the get-go. Not that Pierce Brosnan doesn't turn in a decent enough effort as "007", it's the supporting cast that are pretty average and the story - it is just so weak. Arch-baddie "Renard" (Robert Carlyle) has been shot in the head so gets stronger every day until he dies (any physicians please explain how a bullet near your brain can make you nigh-on immortal?). Robbie Coltrane is ordinarily excellent as a comic actor, but somehow his performance here as Russian hard-man "Zukovsky" is the wrong kind of funny and we see way too much of "M" (Dame Judi Dench) and the woefully cast John Cleese as "R" - luckily because Desmond Llewellyn was still round to amiably, and briefly, fill the role of gadget master "Q". To her credit, Sophie Marceau tries hard in the spirit of the old "Bond" girl role, delivering a feisty and adequate performance that is sexy but also pretty potent, too, as she tries to get to the bottom of who killed her industrialist father and is now trying to hijack her oil pipeline through some pretty lawless terrain. That plot, though, lurches from the silly to the ridiculous before an ending that took for ever to deliver what we all knew was bound to happen. There is plenty of action, car chases and pyrotechnics but sadly, the characterisations are what makes the "Bond" franchise stand out. Here they needed much better writing and a stronger hand at the tiller than was delivered by Michael Apted.

_**The oil pipeline in central Asia episode**_ After a British oil tycoon is assassinated, agent 007 (Pierce Brosnan) traces the hit to a crazy ex-KGB terrorist (Robert Carlyle) and travels to the Caspian Sea/Black Sea area to protect a sultry oil heiress, the daughter of the murdered mogul (Sophie ... _**The oil pipeline in central Asia episode**_ After a British oil tycoon is assassinated, agent 007 (Pierce Brosnan) traces the hit to a crazy ex-KGB terrorist (Robert Carlyle) and travels to the Caspian Sea/Black Sea area to protect a sultry oil heiress, the daughter of the murdered mogul (Sophie Marceau). Denise Richards is on hand as a nuclear physicist working at a Russian ICBM base in Kazakhstan while Robbie Coltrane returns from “Goldeneye” (1995) as Valentin Zukovsky, the former KGB agent turned gangster. “The World Is Not Enough” (1999) is Brosnan’s third installment in the series with the opening featuring an absurd-but-fun boat chase on the River Thames in London and a great title song performed by Shirley Manson & Garbage. Other highlights include a paraglider-snowmobile assault in the snowy mountains, underground mayhem at the ICBM base in Kazakhstan, a wild sequence inside a pipeline to deactivate a bomb and a thrilling climax in the Bosphorus strait near Istanbul. Many complain about Denise Richards as the nuclear physicist, Dr. Christmas Jones, but she does a fine job and looks great, especially in those short shorts at the ICBM base in the high desert. Meanwhile Sophie Marceau as Elektra King is alluring in a classy way. Also on hand in the feminine department are Maria Grazia Cucinotta as the opening femme fatale, Serena Scott Thomas as Dr. Molly Warmflash and Samantha Bond as Moneypenny. Judi Dench of course returns as ‘M.’ This is a competent Bond flick with all the requisite staples; it’s just kinda unmemorable in the grand scheme of the franchise. Like the previous “Tomorrow Never Dies” (1997), the colors are muted, which casts a grey pall over the proceedings, although not as pronounced. The film runs 2 hours, 8 minutes, and was shot in Bilbao, Vizcaya, País Vasco, Spain (opening scene); London, England, & areas nearby; Baku, Azerbaijan, & the Azerbaijan Oil Rocks; Chamonix, Haute-Savoie, France (ski scenes); Bosphorus River, Istanbul, Turkey; and Eilean Donan Castle, Scotland (new MI6 headquarters). GRADE: B-

Revenge is not hard to fathom for a man who believes in nothing. The World is Not Enough is directed by Michael Apted and adapted to screenplay by Neal Purvis, Robert Wade and Bruce Feirstein, using characters created by Ian Fleming. Music is scored by David Arnold and cinematography by Adrian Biddl... Revenge is not hard to fathom for a man who believes in nothing. The World is Not Enough is directed by Michael Apted and adapted to screenplay by Neal Purvis, Robert Wade and Bruce Feirstein, using characters created by Ian Fleming. Music is scored by David Arnold and cinematography by Adrian Biddle. Bond 19 and 007 is required to protect a female oil magnate from potential assassination, but it soon becomes apparent that something far bigger and sinister is around the corner. Pierce Brosnan returns for his third turn as super suave secret agent James Bond and all the crucial elements for the franchise are firmly in place. From the exhilarating pre-credit sequence down the river Thames (14 minutes worth) to the glorious over the top explosive finale, this is a Bond film for those that enjoy the cheeky action led mania over thought and depth. Into the Bondian mix are the usual stalwarts; Judi Dench as M, Samantha Bond as Moneypenny, Desmond Llewelyn as Q (bidding a sad farewell to the franchise with a poignant moment) and Robbie Coltrane joyously returns as Zukovsky. Bond girl duties fall to Sophie Marceau (beautiful and solid) and Denise Richards (sexy, elfin like, but out of her depth) and the psycho for hire role lands at the considerably fine feet of Robert Carlyle, even if the latter is badly underused. The World Is Not Enough (the Bond family motto) is a whizz bang entry in the series and finds Brosnan well settled in the role; nailing the multitude of traits that make Bond a man that women want to bed and a man that men want to be. Locales are lovely and interesting (Turkey, France, Spain, Azerbaijan), the plot carries some intelligence (with a decent mystery element for a change), characterisations are high end and Arnold's score is a safe accompaniment; as is the title song by Garbage. It is, however, all too aware of wanting to appease Bond fans across the spectrum. Thus the comedy moments come off as saggy and the more scientific aspects (as gloriously ridiculous as they are) feel more like auto-pilot plotting. Still, you get what you pay for with 90s Bond, and the action sequences are terrific. After the mixed Tomorrow Never Dies the makers were clearly intent on taking the fans on a ripper of a ride, and no doubt about it, they achieve that in spades; with the two hour running time just flying by. Eon of course would take things one step too far three years later with the nadir that was Die Another Day, thus making this the last good Bond film before Daniel Craig's fabulous re-invention arrived in 2006. 7/10