AVP: Alien vs. Predator

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When scientists discover something near Antarctica that appears to be a buried Pyramid, they send a research team out to investigate. Little do they know that they are about to step into a hunting ground where Aliens are grown as sport for the Predator race.

Release Date: August 12, 2004 (Theaters)

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February 23, 2021 (Digital)

Phase:

Classification:

Runtime: 1h 41m

Budget: $70,000,000

Box Office: $177,427,090

Classification

Runtime
1h 41m

Production

Budget
$70,000,000

Box Office
$177,427,090

Sanaa Lathan
Alexa Woods
Lance Henriksen
Charles Bishop Weyland
Raoul Bova
Sebastian de Rosa
Ewen Bremner
Graeme Miller
Colin Salmon
Maxwell Stafford
Tommy Flanagan
Mark Verheiden
Joseph Rye
Joe Connors
Agathe de La Boulaye
Adele Rousseau
Carsten Nørgaard
Rusten Quinn
Sam Troughton
Thomas Parks
Andy Lucas
Juan Ramirez
Liz May Brice
Supervisor
Glenn Conroy
Technician
Karima McAdams
Sacrificial Maiden
Joseph Balderrama
High Priest (uncredited)
Alec Gillis
Technician (uncredited)
Alex Lorre
Spaceship Crew (uncredited)
Jack Pierce
Co-Pilot (uncredited)
Paul W. S. Anderson
Director / Writer / Screenstory
Mike Richardson
Executive Producer
Thomas M. Hammel
Executive Producer
Wyck Godfrey
Executive Producer
David Giler
Producer
John Davis
Producer
Walter Hill
Producer
Adam Goodman
Unit Production Manager
Adam Inglis
Digital Colorist
Adam O'Neill
Supervising Art Director
Adam Valdez
Visual Effects Supervisor
Andrea King
Foley Artist
Andreas Pense
Legal Services
Andrew Baggarley
Data Wrangler
Andrew Glen
Supervising Music Editor
Andrew Jack
Dialect Coach
Andrew Stirk
Sound Re-Recording Mixer
Andy Howard
Additional Second Assistant Director
Angelica Lisk-Hann
Stunt Double
Angie Wills
Visual Effects Producer
Arthur Windus
Visual Effects Producer
Barrie Gower
Special Effects Makeup Artist
Ben Meechan
Sound Effects Editor
Ben Shepherd
Digital Effects Supervisor
Bharat Nalluri
Second Unit Director
Blair Jollands
Sound Editor
Brano Danis
Colorist
Brian Donovan
Production Supervisor
Bára Barová
Set Dressing Supervisor
Charles Howell
Visual Effects Coordinator
Charles Ladmiral
First Assistant Editor
Chris Symes
Co-Producer
Claudia Dehmel
Production Coordinator
Courtney Bishop
ADR Recordist
Craig Cheeseman
Dressing Prop
Craig Lyn
CG Supervisor / CGI Supervisor
Dan Balzer
Second Assistant Camera
Dan Johnson
Additional Sound Re-Recording Mixer
Dan O'Bannon
Characters / Screenstory
Dave Early
Matte Painter
David Johnson
Director of Photography
David Minkowski
Co-Producer
David Trojan
Art Department Production Assistant
David Váňa
Visual Effects Supervisor
Dawn Dininger
Makeup Effects / Special Effects Makeup Artist
Dean Brkic
Rigging Gaffer
Dino Herrmann
Technical Advisor
Edward Brett
First Assistant Director
Emma Zee
Post Production Supervisor
Eva Dvorakova
Set Medic
Geoff Freeman
Unit Publicist
Gianluca Buttari
ADR Coordinator
Goran Uljanic
Assistant Production Coordinator
Grace Gilroy
Associate Producer
Greg Fisher
Senior Animator
Harald Kloser
Original Music Composer
Henning Molfenter
Associate Producer
Henry Badgett
Digital Compositor
Howard Bargroff
Sound Re-Recording Mixer
Ian Differ
Visual Effects Editor
Ian Morgan
Supervising ADR Editor
Ian Smith
Dolly Grip
Ivo Strangmüller
Key Hair Stylist / Makeup Artist
Jakub Dvorak
Second Assistant Director
James Clarke
Visual Effects
Jan Hogevold
Production Executive
Jan Kodera
Leadman
Jan Kotik
Graphic Designer
Jaromír Šedina
Camera Operator / Steadicam Operator
Jason Keever
Post Production Assistant
Jennifer Silver
Line Producer
Jeremy Lazare
Lead Animator
Jeremy Price
Supervising Sound Editor
Jessica Clothier
Script Supervisor
Jim Thomas
Characters
Jindřich Kočí
Art Direction
Jiri Kotlas
Transportation Coordinator
Jirí Hrstka
Extras Casting
Jiří Husák
Unit Manager
John Bruno
Visual Effects Supervisor
John T. Sweeney
Production Coordinator
John Thomas
Characters
John Warhurst
Music Editor
Joseph C. Pepe
Concept Artist
Julian Mann
Head of Research
Julie Harkin
Casting Assistant
Jürgen Vollmer
Still Photographer
Karen Elliott
Music Coordinator
Karl Morgan
Focus Puller
Karl-Heinz Bochnig
Special Effects Supervisor
Karolina Cerna
Assistant Accountant
Katerina van Gemundova
Art Department Coordinator
Ladislav Hrubý
First Assistant Camera
Laurent Cordier
3D Supervisor
Lenka Rock
Translator
Les Healey
Additional Editing
Lesley Lamont-Fisher
Hair Designer / Makeup Designer
Lucy Egerton
Third Assistant Director
Luke Gale
Production Assistant
Lukáš Bech
Location Manager
Magali Guidasci
Costume Design
Marc Marcum
Story Editor
Marco di Vittorio
ADR Engineer
Mark Bartholomew
Assistant Art Director
Mark Birmingham
Production Accountant
Mark Egerton
First Assistant Director
Mark Kenna
Dolby Consultant
Martin Hobbs
Head of Production
Martin Hubáček
Assistant Editor
Martin Tichy
Electrician
Martina Burgetová
Production Manager
Matthew Stillman
Co-Producer
Mattias Lindahl
CG Supervisor
Mei-Ming Casino
Visual Effects Producer
Michael Beck
Special Effects Assistant
Michael Charles
Negative Cutter
Michal Chadima
Video Assist Operator
Michal Holubec
Sound Recordist
Michal Houzvicka
Rigging Grip
Mike Grimes
Sound Effects Editor
Milena Koubková
Art Direction
Minna Pyyhkala
Casting Associate
Miriam Ludbrook
Supervising Dialogue Editor
Miroslav Čáslavka
Driver / Swing
Nic Benns
Title Designer
Nigel Bennett
Sound Mix Technician
Noel Cowell
Property Master
Oliver Faldo
I/O Supervisor
Patrick Esposito
Post-Production Manager
Paul Elman
Digital Intermediate Editor
Pavel Proisl
Best Boy Grip
Peter Walpole
Set Decoration
Petr Forejt
Production Sound Mixer
Petra Ratner
Set Production Assistant
Radek Petr
Hair Assistant
Rafael Morant
Lighting Artist
Ray Chan
Art Direction
Rene Hajek
Stunt Double
Renee D. Czarapata
First Assistant Accountant
Richard Bennett
Storyboard Artist
Richard Bridgland
Production Design
Richard K. Buoen
Conceptual Design
Rick Forsayeth
Stunt Coordinator
Rolf Hanke
Project Manager
Ronald Shusett
Characters / Screenstory
Sam Conway
Special Effects Technician
Simon Gershon
Sound Re-Recording Mixer / Supervising Sound Editor
Simon Price
Dialogue Editor
Simon Webber
Makeup Effects
Stefan Drury
Visual Effects Producer
Stephan O. Gessler
Set Designer
Stephen Bream
Set Designer
Stephen Dobric
Art Direction
Steve Burg
Conceptual Design
Steven Bray
Rotoscoping Artist
Steven Hall
Visual Effects Camera
Steven Woodcock
Set Decoration
Thierry Potok
Associate Producer
Tomáš Červenka
Boom Operator
Tristan Myles
Compositing Artist
Vanessa Baker
ADR Voice Casting
Veronika Lencová
Production Secretary
Václav Kareš
Camera Loader
Vít Komrzý
Visual Effects Producer
Věra Mírová
Wardrobe Master
Xavier Roig
Generalist
Zdeněk Mrkvička
Assistant Camera

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Reviewer:
r96sk
Date:
August 14, 2024
Finally got around to watching this crossover between the two titular characters. It's pretty good! I'm not someone who has a keen interest in either franchise, though. I'm kinda surprised both have as many flicks made as they do and as many still on the way. I admittedly I do like all of the 'Alien' films, whereas I found 'Predator' to be rather uninteresting - until 'Prey' anyway, that's the only one from that series that I'd say I like. With all that, I wasn't too sure what to expect from 'AVP: Alien vs. Predator' - a movie that I've actually heard of since I was a kid, I remember people at my school referring to it quite often; I probably knew of this before I knew that they were a crossover from separate releases. Pleasingly, i did find the required enjoyment from this 2004 movie. None of the cast are particularly outstanding, though all work really nicely as a whole. Sanaa Lathan gives a good showing as the main human character, in what is my first real experience of seeing her onscreen. Same can be said for most of the acting talent, with only Ewen Bremner being someone I could say I recognised; and Lance Henriksen, only after thoroughly racking my brain from the original 'Alien' films though. That final scene leaves good intrigue ahead of the sequel. After viewing that, I can finally say I've seen all of this most abundant franchise. No mean feat, eh? At least there aren't any more coming any time soo... *Alien: Romulus releases in two days* ffs.
Rating:
7.0
Reviewer:
Rob
Date:
May 11, 2023
Did they actually make this!? Wait, did I actually buy this!?
Rating:
2.0
Reviewer:
CinemaSerf
Date:
April 18, 2022
If Paul WS Anderson had just taken a moment longer to look at the casting here, he might have had a decent property. A solid conflict between the ultimate ninja "Predator" and the ultimate killing machine from "Alien". Why didn't he? Instead, we find a truly C-list bunch of acting fodder exploring a temple wherein, aeons ago, these two titans of terror battled it out. On arrival in the sacrifice room, they inadvertently release some eggs, and some "Predator" creatures, and soon some of them are on the menu for both as a battle royal looms. The special effects are good, and the action elements work fine too. I even found myself taking sides - just not with the humans, who deserved every tortuous chewing, stabbing and nasty involuntary caesarians that they got. It's paced well, it looks eerie and sinister, and the ending is quite exciting - it's just a real shame the writing and the acting are really mediocre. Teed up for a sequel too - I can only hope it ups it's game for that!
Rating:
5.0
Reviewer:
Gimly
Date:
March 19, 2018
I can honestly say, that this is one of the most under-rated films of 2004. Not because it was good, just because it was panned so fucking hard by critics! I think this is mostly due to the fact that it was being compared to both the Alien and Predator series, which is fair enough, but it was never going to be what either of those films was. Ultimately it's downfall came from some poor dialogue, and trying to reach a larger audience. Where Predators was a film that you didn't need to have watched all the others in order to follow, it was still fundamentally a Predator film, aimed at the Predator-loving market. AVP on the other hand used references to the older films, but then completely threw the canon out the window and went for a larger fanbase. And whilst it worked to some degree (my grandma liked it) it wasn't enough of a step in either direction. AVP was complicated as a stand alone, and disastrous when compared to anything else in the franchise except perhaps its sequel Requiem (and maybe Predator 2 or Alien3). Honestly I think the film works as an archetypal film in the realm of both Alien and Predator, just not a sequel or prequel to either. The lead protagonist is a woman by the name of Alexa Woods, portayed by Sanaa Lathan (Blade, Contagion) who was clearly meant to be a modern day Ripley, and catastrophically failed at doing so. The Predators were as cool as ever, and people complained that in the latter half of the film they weren't as ghostly as in Predator/Predator 2, but we've already had two whole films of that, and these were juvenile Predators, so it sort of made sense that they were a tad more restless. Bringing Lance Henriksen (Damien: Omen II, Piranha II: The Spawning, The Terminator, Aliens, Alien 3, Pumpkinhead, The Quick and the Dead, Mind Ripper, Scream 3, The Lost Tribe) back was an awesome decision, one that was probably lost on the audience who had not seen the Alien series. Tommy Flanagan (Smokin' Aces 1 and 2, Sin City, When a Stranger Calls [2006], Gladiator, Braveheart) is another an actor I love, it was a shame his character (Mark Verheiden) was so underused. Ultimately, the film is a good one to pick up and put down, don't think about it too much, don't compare it to the others, go in with your only expectation being that it's a monster-movie, then you won't come out too disappointed. 59% -Gimly
Rating:
6.0
Reviewer:
John Chard
Date:
March 8, 2016
Monstrous - but not a total monstrosity. Antartica, and an expedition is about to uncover a battleground for Aliens and Predators. Whoever wins, we lose! So ran the tag line for Paul W. S. Anderson's prequel (?) to two fanatically worshipped franchises. Little was Anderson to know that it was the majority of cinema goers who would feel that they had "lost" their cash on coming out after watching this miss-matched effort. Though in truth nobody could seriously have expected a film to rival the best of both serials (Alien, Aliens & Predator), it's still right that us fans should expect the formula to be respectfully adhered too. We want character build up, we expect a group dynamic to function, and we definitely want the baddies to stay just that, as baddies. It's not a total loss, though, even as Anderson all too quickly hurtles towards his "humans caught in a cube like puzzle box" blood bath, there is just enough back story and anticipation to tickle the tongue. In fact, when it all goes pear shaped and Xenomorphs, Pred-Rastas and humans are all lined up for slotting, it's damn near exciting stuff. While the pyramid/cube/maze design is pretty awesome. However, then the plus points are vanquished as the film quickly becomes kiddie friendly as gloop gives way to strawberry jelly, featuring a turn of events with our "heroine" that's so clumsy I'd be surprised if Anderson sleeps at night. Still, it's obvious that Anderson loves both franchises and he in no way would have wanted to make a stinker. But he has made a very average movie, one that's got two things in its favour. One being that is the neat middle section, the other that it's not half as bad as the messy hack job that was AVPR: Aliens vs Predator - Requiem in 2007. 5/10
Rating:
5.0