The Predator

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When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled scientist can prevent the end of the human race.

Release Date: September 5, 2018 (Theaters)

|

September 14, 2018 (Digital)

Phase:

Classification:

Runtime: 1h 47m

Network:

Hulu

Budget: $88,000,000

Box Office: $160,542,134

Classification

Runtime
1h 47m

Network

Production

Budget
$88,000,000

Box Office
$160,542,134

Boyd Holbrook
Quinn McKenna
Trevante Rhodes
Nebraska Williams
Jacob Tremblay
Rory McKenna
Olivia Munn
Casey Brackett
Javier Lacroix
Cantina Bartender
RJ Fetherstonhaugh
Agent Church
James S. Salisbury
Helicopter Pilot
Garry Chalk
Postal Worker
Emy Aneke
Merc Soldier
Eduard Witzke
Security Tech
Jan Bos
Tech Hamlin
Lochlyn Munro
Lt. General
Françoise Yip
Tracking Supervisor
Rhys Williams
F-22 Pilot #1
Malcolm Masters
F-22 Pilot #2
Harrison MacDonald
F-22 Pilot #3
Sage Brocklebank
Transport Driver
Coulton Jackson
Merc on the Road
Colin Corrigan
Emily's House Merc
Anousha Alamian
Cryptographer
Ryan Scramstad
Guard with Rory
Patrick Sabongui
Barn Merc #1
J.C. Williams
Barn Merc #2
Sean Kohnke
Barn Merc #3
Juan Pacheco
Translator (voice)
Lars Grant
Merc #1
Peter Shinkoda
Dr. Yamada
Aaron Craven
Scientist
Shane Black
Director / Writer
Bill Bannerman
Executive Producer
Ira Napoliello
Executive Producer
John Davis
Producer
Aaron Sims
Concept Artist
Abhijitsinh Gohil
Visual Effects Production Assistant
Abner Marín
Creature Design
Adam Dougherty
Concept Artist
Adam Kleaman
Production Assistant
Adam Tayler
Special Effects Coordinator
Adrienne Sol
Production Manager
Ainsley Barteluk
Art Department Assistant
Alex Burdett
Special Effects Supervisor
Alex Cerda
Post Production Assistant
Alex Guri
Compositing Supervisor
Alexander Andy
Production Assistant
Alexander Naud
Visual Effects Coordinator
Alexander Ovchinnikov
Concept Artist
Alexis Bechet
Compositor
Ali Macrae
Assistant Property Master
Amandine Dufraise
Script Supervisor
Amelie Thomas
Visual Effects Coordinator
Amie Payne
Set Costumer
Amine El Fadl
Assistant Production Coordinator
Amélie Rey
Digital Compositor
Andrea Dutti
Digital Compositor
Andres Nino
Dolly Grip
Andrew Howarth
Visual Effects Editor
Andrew Kinney
Orchestrator
Andrew Li
Art Direction
Angel Foisy
Key Production Assistant
Angela O'Sullivan
Assistant Art Director
Annie Normandin
Visual Effects Producer
Anthony Smith
2D Supervisor
Ashton Harmon
Second Assistant Camera
Ashwin Kumar
Roto Supervisor
Asregadoo Arundi
Visual Effects Supervisor
Bailey Ostiguy
Set Painter
Beauman Coty
Digital Compositor
Ben Eadie
Special Effects Technician
Ben Mauro
Creature Design
Benoit Waller
Assistant Art Director
Bev Wright
Key Makeup Artist
Beverly Hoy
Assistant Makeup Artist
Blondel Aidoo
Co-Producer / Visual Effects Producer
Bob Wilson
Senior Animator
Bonita Nichols
Visual Effects Coordinator
Brad McGregor
Camera Operator
Branden Sparkes
Lighting Technician
Brandon Lambdin
First Assistant Director
Brian Cunningham
Conceptual Illustrator
Brian Ducharme
Digital Compositor
Brian Scholz
Digital Imaging Technician
Brian Smrz
Second Unit Director / Stunt Coordinator
Bryce Gardiner
VFX Editor
Caitlin McKenna
ADR Voice Casting
Caitlin Morrison
Assistant Production Coordinator
Callum Webster
Art Direction / Assistant Art Director
Cameron Mason
Key Production Assistant
Carole Fleming
Studio Teacher
Cary Clark
Sound Engineer
Cary Cooper
Libra Head Technician
Cedric Tremblay
Digital Compositor
Charles Desrosiers
Special Effects Technician
Chelsea Mirus
Visual Effects Coordinator
Cheryl Marion
Art Direction
Chris Gibbins
First Assistant "A" Camera
Chris Ingersoll
Digital Compositor
Christina-Cassandra Barazin
Visual Effects Production Manager
Christine Tarbox
Casting Assistant
Christopher Ahrens
Lighting Supervisor
Christopher Brennan
Special Effects Assistant
Christopher Kowal
Visual Effects Editor
Clyde Harrelson
Lighting Technician
Cole Doran
Editorial Production Assistant
Conner Dwelly
Production Assistant
Connor Welsh
Dolly Grip
Conor Sawyer
Production Assistant
Craig Hosking
Aerial Coordinator
Craig W. Smith
Visual Effects Editor
Curtis Nicholls
Second Assistant "C" Camera
Cyril Plusse
CG Artist
Dafne Sartori
Lighting Artist
Dale Bartlett
Sound Effects Editor
Damian Azriel
Lighting Technician
Dan Morrison
First Assistant Camera
Dan O'Connell
Foley Artist
Dana Powers
Lighting Technician
Dane Bjerno
Aerial Camera Technician
Daniele Simone
Production Assistant
Darah Wyant
Assistant Makeup Artist
Darin Wong
Dolly Grip
Dave Jordan
Music Supervisor
David E. Scott
Art Direction
David Giammarco
Sound Re-Recording Mixer
David Husby
Production Sound Mixer
Davtyan Hamb
Sculptor
Dean Heselden
Camera Operator
Deb Adair
Sound Re-Recording Mixer
Decharne Brian
Digital Compositor
Dennis Gronau
Lighting Artist
Djinous Rowling
Casting Assistant
Doane Gregory
Still Photographer
Don Anderson
Assistant Property Master
Douglas W. Beard
Special Effects Technician
Dylan Binns
Modeling
Dylan Broughton Cole
Special Effects Assistant
Edward Trybek
Conductor
Ema Mac Duff
Production Assistant
Emmanuel Shiu
Conceptual Design
Eric Benedict
Pre-Visualization Supervisor
Eric Lemay
Special Effects Technician
Etienne Gravrand
Set Designer
Fernando Herrera
Lead Animator
Finn King
Key Grip
Fred Brown II
Assistant Editor
Garth Yakymyk
Assistant Accountant
George Ferris
Digital Compositor
Gregory Watkins
2D Supervisor
Guy Bews
Stunt Coordinator
Hamish Purdy
Set Decoration
Hannah Cooper
Casting Associate
Hannah Haidar
Post Production Coordinator
Hannah Shrader
Production Assistant
Hans Bjerno
Aerial Director of Photography
Hanuman Patel
Digital Compositor
Heidi Mistic
Special Effects Technician
Henri Wilkinson
Orchestrator
Henry Jackman
Original Music Composer
Hugo Daniel Gamboa
Digital Compositor
Ian Doig
Animal Coordinator
Ian Seabrook
Camera Operator
Ilona Tigere
Production Assistant
Ingrid Kenning
Script Supervisor
Ishtiak Ahmed
Production Assistant
Ivan Khomenko
Concept Artist
J. Todd Anderson
Storyboard Artist
Jacinthe Côté
Visual Effects Producer
Jack Cucci
Foley Mixer
Jade Hamdan
Production Assistant
James Ashwill
Foley Mixer
James Clare
Assistant Camera
James Doh
Storyboard Artist
Jared Krenz
Second Assistant "A" Camera
Jeff Sanca
Stunt Driver
Jenn Touchie
Costumer
Jennifer Grossman
Costume Supervisor
Jeremy Goodrick
Rigging Grip
Jesse Joslin
Construction Coordinator
Jesse Watts
Assistant Production Coordinator
Jim Magdaleno
Storyboard Artist
Jim Passon
Color Timer
Jim Thomas
Characters
Joecy Shepherd
Script Supervisor
John A. Larsen
Supervising Sound Editor
John B. Keys
Scenic Artist
John Saleem
Senior Modeller
John T. Cucci
Foley Artist
John Thomas
Characters
John Toth
Digital Compositor
Jon K. Miller
Special Effects Technician
Jonathan Beard
Orchestrator
Jonathan Rothbart
Visual Effects Supervisor
Jono Coy
Concept Artist
Jordan Sy
Sound Assistant
Josh Ellem
Matte Painter
Josiah Buhler
Special Effects Technician
Josue Clotaire Fleurimond
Conceptual Illustrator
Julian Hutchens
CG Supervisor
Junichi Hosoi
Camera Operator
Juniper Watters
Sound Assistant
Justin Muller
First Assistant Director
Jérome Escobar
CG Supervisor
Kareem Babeel
Visual Effects Coordinator
Karen Ballesteros
Production Assistant
Karim Abdelhamid
Lighting Artist
Kate Ferguson
Production Assistant
Kathleen Higgins
Assistant Accountant
Kaushalya Dattwani
Digital Compositor
Kelly Zombor
Sound Mixer
Kelsey Wheeler
Aerial Coordinator
Ken Barthelmey
Creature Design
Kerry Phillips
Special Effects Technician
Kevin Dykstra
Special Effects Assistant
Kevin Fairbairn
Best Boy Grip
Kevin Kasper
Set Dresser
Kim Doyle
Visual Effects Coordinator
Kimberly Buckham
Production Coordinator
Kimberly French
Still Photographer
Kris Bergthorson
Assistant Art Director
Kyle White
Set Designer
Lachlan Tolley
Compositor
Lance Gilbert
Stunt Coordinator
Larry Fong
Director of Photography
Larry Portmann
Focus Puller
Lauren Witt
Production Assistant
Laurent Taillefer
CG Supervisor
Laurie Cross
Assistant Production Coordinator
Leandre Lagrange
Concept Artist
Leo Luxford
Compositor
Lilia Collar
Digital Compositor
Lionel Jacobs
Digital Compositor
Loic Zimmermann
Art Direction
Lorraine Jamison
Unit Publicist
Luca Nemolato
Concept Artist
Luke Schwarzweller
Sound Recordist
Manolo Mantero
CG Supervisor
Marc Aubin
Art Department Coordinator
Marc Joubert-Nederveen
Senior Modeller
Marco Correia
Best Boy Grip
Marie-Ève Gélinas
Digital Compositor
Mariela Zapata
Set Costumer
Mark Allan
Digital Imaging Technician
Marny Eng
Stunt Coordinator
Martin L. Mercer
Storyboard Artist
Martin Whist
Production Design
Martina Smyth
Casting Associate
Mathieu Girard
Digital Compositor
Mathieu Raynault
Matte Painter
Matt Sloan
Visual Effects Supervisor
Matthew Feinman
Assistant Editor
Mauricio Ruiz
Concept Artist
Michael Asiman
Visual Effects Coordinator
Michael Baloun
Visual Effects Coordinator
Michael Diner
Supervising Art Director
Michael Furniss
Visual Effects
Michael Leder
Boom Operator
Michael Nouryeh
First Assistant Editor
Milena Zdravkovic
Concept Artist
Monish Nair
Visual Effects Coordinator
Morgan Brady
Assistant Production Coordinator
Nadim Zaidi
Matte Painter
Natalie Simon
Costume Set Supervisor
Natalya Lazarich
Set Costumer
Natasha Stoesz
Art Department Assistant
Niall Fraser
Best Boy Electric
Nicholas Dent
Dolly Grip
Nicholas J. Cazares
Orchestrator / Other
Nick Kray
ADR Mixer
Nick Roberts
ADR Mixer
Noah Dunbar
ADR Recordist
Noel Albornoz
Digital Intermediate Editor
Norbert Kaluza
Steadicam Operator
Patrick Cahoon
Production Assistant
Paul Biason
Boom Operator
Paul Healy
Set Decoration
Peter Herlein
Compositor
Peter Mihaichuk
Art Direction
Peter Oso Snell
Music Editor
Philip Keller
Storyboard Artist
Philipp Wolf
Visual Effects Producer
Phuong Chau
Costumer
Pierre Masseron
CG Supervisor
Puneethpb
Lead Animator
R.J. Kizer
Supervising ADR Editor
Rachel Gervig
Special Effects Technician
Ravi Bansal
Art Direction
Richard Cowan
First Assistant Director
Richard Little
Visual Effects Supervisor
Richard MacDonald
Best Boy Electric
Richard Sinclair
First Assistant Camera
Ricky Cuevas
Production Accountant
Robert Consing
Storyboard Artist
Robert Falconer
Additional Still Photographer
Robert Finnigan
Additional Photography
Robert Rioux
Senior Modeller
Robert Woodruff
Set Designer
Robin Lamontagne
3D Generalist
Rod Haney
Rigging Grip
Roger Vernon
Second Unit Director of Photography
Romane Wingerter
Visual Effects Production Assistant
Sally Hudson
Graphic Designer
Sam Curtis
Production Assistant
Sam Findlay
Graphic Designer
Sara Villarreal
Special Effects Technician
Sarah Jarvis
Assistant Accountant
Sarah Neveu
Matte Painter
Sarah Vallim
Scenic Artist
Sasha Proctor
Steadicam Operator
Scott Calderwood
Assistant Set Decoration
Sean M. Harding
Camera Operator
Sean Massey
Dialogue Editor
Sean Oxenbury
Key Rigging Grip
Seth Longworth
Special Effects Assistant
Shamess Shute
First Assistant Director
Shane Baxley
Concept Artist
Shane Storozuk
Dolly Grip
Shannon Grover
Art Direction
Simon Guérette-Langlais
Assistant Production Coordinator
Simon Jori
Digital Imaging Technician
Skip Longfellow
Supervising Sound Editor
Spencer Ennis
Second Assistant Camera
Spencer Graham
Special Effects Technician
Spencer Louttit
Assistant Property Master
Stefan Schneider
Modelling Supervisor
Stephane Levallois
Concept Artist
Stephanie Gadsden
Digital Compositor
Steve Ouellette
Digital Compositor
Steven M. Saylor
Set Designer
Stevo Bedford
Conceptual Illustrator
Sumit Sura
Art Department Assistant
Summer Dietz
Assistant Costume Designer
Suzanne Yavuz
Casting Coordinator
Sylvain Theroux
CG Supervisor
Syria Toliver
Lighting Artist
Tevin Maker
Special Effects Technician
Thomas A. Nelson
Storyboard Artist
Thomas Ma
Second Unit First Assistant Director
Tina Dawson
Production Accountant
Tish Monaghan
Costume Design
Toko Nagata
Music Coordinator
Tommy Douglas
Aerial Camera
Torstein Colyer
Dolly Grip
Tristan Dunse
Digital Compositor
Trygge Toven
Music Supervisor
Tully Summers
Concept Artist
Tyler Ruocco
First Assistant Editor
Tysen Schieber
Boom Operator
Vaughan V. Baker
Paint Coordinator
Victoria Down
Makeup Department Head
Vincent Poitras
Visual Effects Supervisor
Vincent Proce
Storyboard Artist
Will Kaplan
Music Editor
Willard Cochrane
Special Effects Technician
Wyatt Lennertz
Post Production Assistant
Xavier Bourque
Digital Compositor
Zachary Abrahamson
Lighting Technician
Zachary Wanerman
Associate Producer
Zahid Jiwa
Digital Compositor

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Reviewer:
CinemaSerf
Date:
April 20, 2023
Boyd Holbrook - a sort of love child of Mel Gibson and Michael Biehn - is the army sniper hero ("McKenna") who finds himself on the wrong end of the law after he and his team encounter the eponymous killing machine in the forest. Lucky to escape with his life, and a few souvenirs from the wreckage, he makes his way to a cantina where he posts his trophies to his wife and son before being taken into custody. Out in space, another of these would be visitors decides it needs to get that stuff back and so arrives duly determined to annihilate all who get in it's way. It turns out that the young "Rory McKenna" (Jacob Tremblay) is little short of a genius with AI - and pretty soon he, dad and feisty biologist "Brackett" (Olivia Munn) - along with a ragtag band of gung-ho prisoner/soldiers are facing up to their looming terror. Can they survive? Should they survive is probably the better question. Aside from a few scenes at the start and an admittedly lively fifteen minutes at the end, this is almost entirely devoid of the beastie we switched on to see. The dialogue is poorly written, expletive-ridden and banal; the characterisations are really shallow and there are far too many irrelevant sub-plots to distract from the (limited) focus of this 110 minute ramble of a film. The old adage - "if it ain't broke..." comes to mind. This is as far removed from the excellent 1987 introduction to this monstrous creature as it's possible to get and is, quite simply, a waste of video tape. There are plenty of adequate visual effects and pyrotechnics, but this film definitely had me rooting for the creature in the mask pretty much from the start!
Rating:
5.0
Reviewer:
GenerationofSwine
Date:
January 14, 2023
Full disclosure, I've only really seen the first two movies, and after that I ignored the franchise. When the 2010 film dropped, it didn't even hit my radar and none of the crossovers with aliens I even bothered with... ...but by 2010 I was 30 and, honestly, these are rated "R" movies that I loved in my childhood. But that was the 80s when parents could take their children to bloody rated R movies and not be arrested for abuse. So, when they started making more, as much as I loved the first one, I really didn't care too much about the series. They lost me at the sequel. But 2018 rolled around and I was feeling nostalgic. I wanted a throw back to a simpler time when people weren't so high strung about everything including the movies. Why not give it a try. And, I loved Predator as a kid even though it was clearly an adult movie. But you get the feeling that this one was a rated R movie clearly made for children. I remember moments of levity in the first few...but I don't recall them being light and, almost whimsical at all. They were serious sci-fi horror films. This comes across as a Marvel movie, and though I love Marvel movies I don't want a Predator movie to feel like The Avengers. It's the Predator, it is supposed to have a different tone. It left me with a bad taste in my mouth. It was too light to be a Predator movie. It wasn't dark. It wasn't scary, and it had too much of an attempt at humor to enjoy. In other words, the movie stank. It couldn't even remember what it was supposed to be.
Rating:
1.0
Reviewer:
5rJoud
Date:
July 2, 2021
**"Long story short"** Unlike the clueless reviewer (on a different website) who I quoted in the headline, I will not proceed to write 5 paragraphs of meaningless drivel about a movie I hate. Usually all of the AvP movies, Alien, Predator and the cross overs are at least a solid 3.5 stars. Of course the original Alien trilogy as well as Predator 1, 2 and even Predators stand out as being very original. The difference between the originals and the spin-offs is clearly the tone they set. In this movie we get a comic book style presented, with by no means bad CGI (dogs looked more real than in Predators for example), a secret research conspiracy, and charismatic heroes getting slaughtered (or not, no spoilers). Just like in the graphic novels, the pace is neck breaking. The ending felt almost rushed, to introduce the new Predator Killer Weapon. It is understandable how regular movie goers are put off by the constant over-stimulation, but I would not want it any other way. The action is over the top, definitely. But there was great attention to detail how the action scenes played out exactly, as opposed to lesser action films in which a flurry of cuts leaves a thinking audience just confused about what just happened. Sure, I would have loved a darker vibe throughout the film too, especially in the beginning the score reminded a little of a Disney orchestra playing. But "The Predator" was a hell of a ride and deserves a special place among the spin-offs. 28 November 2018 I am migrating my reviews from a different site which has become simply garbage. TMDB looks awesome and I look forward to be a part of it.
Rating:
8.0
Reviewer:
John Chard
Date:
June 7, 2019
A crushing disappointment. The hopes were high for this latest Predator rebirth, not because Shane Black starred in the great first Predator film, so therefore he surely must care about the project? But because he's an excellent writer and director. Shane Black can count Lethal Weapon(S), The Last Boy Scout and The Long Kiss Goodnight on his CV, he was the man who put Iron Man back on track after the sag of part 2. Plus he is the creator of two of the best buddy buddy neo-noirs this millennium (Kiss Kiss Bang Bang/The Nice Guys), So how come The Predator stinks of lazy cash cow manure? Plot in a nutshell sees the universe's most lethal hunters unleashed on Earth due to the meddling of a soldiers kid and some nosey scientist types. The fate of mankind rests with a group of damaged ex-soldiers and a rather cheesed off female scientist. We have a rehash mishmash of what we have seen before in Predator 87 and Predators 2010. A group dynamic fighting a seemingly invincible foe. The subsequent science aspects such as human DNA inference/reasoning etc never really add up to much, serving only for a bunch of standard actors shouting, swearing and spouting hopelessly weak jokes and series re-treads. When you think the pic is about to up a gear, get rivetingly dramatic, a poor slice of humour comes our way either by vocal spillage or visual drivel (puppy pet Predator dog, really?). There's a bunch of plot threads that just dangle never to be pulled (PTSD/our hero's family strife et al), and the Predators loose on Earth - with different agendas - are confusingly shifted about by a screenplay not sure where it wants to land. Plus points? Well the cinematography is superb (Larry Fong), and you can't fault this for action quotas, there's plenty of it and it's bloody (both red and green type). The score is the traditional one we had from Alan Silvestri back in the 87 film, in fact it hardly deviates from it and yet Henry Jackman gets the credit. Of course some of the jokes will work for some folk (I would be lying if I said a Whoopi Goldberg gag didn't make me laugh), but the terror has gone, these Predators are no longer scary creatures. This reeks of a troubled production going hand in hand with a cash cow that not only narratively adds up to nothing really, but of a franchise death knell. Shame. 3.5/10
Rating:
4.0
Reviewer:
skipreader
Date:
January 31, 2019
OK, I have to disagree with the other reviewers, to date, of this movie. I totally enjoyed this movie and gave it an 8. Once you figured it out, I thought the story line made complete sense. I loved all the new characters, and thought the camaraderie of the main military characters was great and rather realistic. I don't know about the other reviewers, but I did serve in the U. S. Army and found the character interplay highly realistic. I am disappointed with the interplay between the "good guys" and our government; however, these days you come to expect that. I don't believe that part would be realistic, but I don't think it distracted that much from the movie, and everyone came together in the end...to, of course, save humanity! Which, of course, it did otherwise we all wouldn't be here anymore...right? Good movie! Go see it and then decide for yourself, but I thought it was definitely worth seeing, so much so I even bought the blu-ray!
Rating:
8.0
Reviewer:
SaltyCatFish
Date:
December 2, 2018
Its just not good. The first predator created atmosphere; you were being hunted. The only "Predator" film to deliver another dose of this was Predators. This film falls completely short of its predecessors (yes, all of them), but does leave you with a strong impression that this was a cash grab to squeeze any life out of a franchise that surpassed its EOL a long time ago.
Rating:
4.0
Reviewer:
Sundance Kid
Date:
November 26, 2018
I couldn't believe what I was seeing. I was inclined to step out of the theater to check if I was sitting in the right room. But there it was, definitely a Predator, but obviously totally misplaced in a ridiculous movie - ridiculous story, ridiculous characters, ridiculous acting, ridiculous everything. I was so upset. One of the diamonds of a movie genre thrown in the dirt and made fun of. If you want to see how that's done, watch this one. A total waste of money - on production side and on cinema visitor's side.
Rating:
2.0
Reviewer:
Gimly
Date:
September 20, 2018
My mind was racing as I watched _The Predator_ in the cinema tonight. I'd heard virtually nothing good about it so my anxious brain kicked into overdrive the whole time the film was going on. As a result of that, I almost feel like I experienced three movies in that theatre. First, obviously the movie on the screen. Secondly, the awesome movie I was theorising could unfurl at the result of each new sequence and plot point, but that sadly never did. And thirdly, the inexcusably awful and franchise-ruining movie that I feared it was about to take a hard left turn into at any minute, and thankfully never did. And that's really my experience on _The Predator_ overall, and the reason for a stalemate "2.5 outta 5" review: It wasn't as good as it should have been, it wasn't as bad as it could have been. Unfortunately, when the movie I'm writing in my head alongside watching it is better than what's actually on screen, when you take into account that I'm an unimaginative, talentless hack, really doesn't cut it for a sequel to _Predator_, one of of only five movies I've ever given a perfect rating to. The best parts of _The Predator_ are when there is an eponymous Predator on screen. So you might think, "Oh it's not a good movie, but it's a good _Predator_ movie", and fair enough a conclusion to draw, but no. Part of the problem is, this movie really could have been pulled off with any aliens at all. Take out the Yautja and replace them with... I dunno, the blue skinned pogo-stick people of Planet Hurfadump, and it can still play out functionally the same. See, although I enjoyed watching the Predators do their thing, there was really nothing beyond cosmetic similarities that made them the Predators we've seen in every movie preceding this one. I think possibly part of the reason for that is that every other movie with a Predator in it has been an Action Horror movie (albeit Action Horror with ever-increasing Sci-Fi elements from film to film) whereas _The Predator_ is an Action Comedy, just one with some gore. Now I don't think that taking it that route was necessarily and... abysmal failure, let's say, but was Action Comedy the **best** way to take the _Predator_ franchise? I think it's pretty clear that the answer is no. Ironic that that direction is being taken by Shane Black, the man who has a history with _Predator_ purely because the crew of the first film were determined to have him to work on the script, which he refused. Now here we are more 30 years later and Shane Black finally **has** put his name on a Predator movie, and it's not even good. Fuck. At least it's better than _AvP: Requiem_!
Rating:
5.0
Reviewer:
Shane
Date:
September 15, 2018
A complete waste of opportunity. The film smacks of studio interference and bad decisions. It starts off decent enough but at the halfway point it turns into a shambles and it does feel as if a lot of it ended up on the cutting room floor. The music was very intrusive and some scenes were so badly lit you had no idea who was just killed or even what killed them. Some knowing nods to the earlier Predator films was a nice touch and it was good they didn't skimp on the gore and violence but all in all it's a bad movie. Stick to Predator and Predators.
Rating:
4.0