Iron Lung

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In a post-apocalyptic future where an event known as “The Quiet Rapture” caused all known stars and habitable planets in the universe to disappear, a convict is sent to search an ocean of blood discovered on a desolate moon, using a small submarine nicknamed the “Iron Lung”.

Release Date: January 30, 2026 (Theaters)

|

May 29, 2026 (Digital)

Phase:

Classification:

Runtime: 2h 5m

Production:

Markiplier Inc.

Budget: $4,000,000

Box Office: $51,226,173

Classification

Runtime
2h 5m

Production

Budget
$4,000,000

Box Office
$51,226,173

Elsie Lovelock
SM-8 Research Lead / The Speaker (voice)
Elle LaMont
SM-8 Research Assistant / The Whisper (voice)
Mick Lauer
The Guy Who Told You to Cross the Wires (voice)
Dave Pettitt
The Father
Holt Boggs
Eden Soldier
Isaac McKee
Young Simon
Roman Parsons Crow
Child of Eden
Townes Blaine Crow
Child of Eden
Asher Wagh
Child of Eden
Kazuki Jalal
Child of Eden
Alanah Pearce
A Familiar Voice (voice)
David Szymanski
David Szymanski
Danielle Evon Ploeger
Tow Ship Pilot
Rahul Kohli
Additional Voices (voice)
Ethan Nestor
Additional Voices (voice)
Valkyrae
Additional Voices (voice)
Mika Midgett
Additional Voices (voice)
Robert Rexx
Additional Voices (voice)
Mark Fischbach
Director / Executive Producer / Writer / Additional Photography / Editor / Visual Effects
Amy Nelson
Producer / Creative Producer
Will Hyde
Producer
Adrian Testolin
Line Producer / Unit Production Manager
Alex Leonard
VFX Artist
Andrew Hulshult
Original Music Composer
Andrew Lewis
Camera Loader
Andrew Twite
Sound Editor
Anna Fugate-Downs
Hair Designer / Makeup & Hair / Makeup Department Head / Makeup Designer / Special Effects Key Makeup Artist
Ashlyn Fielder
Property Master
Brad Engleking
Sound Designer / Sound Editor / Sound Mixer / Sound Re-Recording Mixer
Brandon Young
CG Supervisor
Brooks Birdsall
First Assistant "A" Camera
Bruce Coy
VFX Artist
Caleb Spenrath
VFX Artist
Caleb Stovall
VFX Artist
Calvin Barker
Electrician
Carly Marie Jones
Production Assistant
Carrie Olsen-Wright
Production Accountant
Cat Shen
VFX Artist
Cecilia Calles
VFX Artist
Chad Herrada
VFX Artist
Chantél Italia Johnson
Casting Associate
Charlie Schwan
Utility Stunts
Chloe Gray
CG Supervisor
Chris Cooper
VFX Artist
Cindy Perez
VFX Artist
Clark Crawford
Sound Editor
Corey McMinn
Boom Operator
Cristen Leah Haynes
Second Assistant Director
D. Andy Nelson
Scenic Artist
Daniel McNamara
Foley Mixer
David Eland
Special Effects Technician
David Szymanski
Creative Consultant / Original Concept / Video Game
Diane Testa
Visual Effects Producer
Diego Perez
Sound Editor
Dustin Dennard
Utility Stunts
Echo Duemig
Sound Mixer
Elise Tunstall
VFX Artist
Erica Galindo
Visual Effects Producer
Erik Duemig
Production Sound Mixer
Erika Slay
Costume Design
Erin Klarer
Key Makeup Artist
Eryn Brooke Crow
Costume Supervisor
Evan Bilda
Associate Producer
Ezra Bellows
Special Effects Technician
G. "Nic" Nicholson
Special Effects Technician
Gaby Torres
Art Department Coordinator
Hannah Smith
Casting Associate
Ian Sutton
Special Effects Makeup Artist / Special Effects Technician
Ima Leupp
Still Photographer
Iman Corbani
Production Design
Isaac Lewis
First Assistant Director
Jacob Slovak
VFX Artist
James Navaira
Additional Grip
Jaree Vaughn
Special Effects Makeup Artist
Jason Vines
Special Effects Key Makeup Artist
Jay Caputo
Utility Stunts
Jeff Schwan
Stunt Coordinator
Jennifer Briner
Key Hair Stylist
John Garcia
Key Set Production Assistant
John Rodgers
Set Medic
Jordan Marable
Steadicam Operator
Jordan Tunnell
Additional Grip
Jourdan Farmer
Best Boy Electric
Junior Aredo
VFX Artist
Justin Casas
Special Effects Makeup Artist
Kaitlyn Stanford
Production Coordinator
Keishla Di Giorgi
Second Assistant "A" Camera
Kevin Simon
Craft Service
Khizar Shabir
VFX Artist
Kieran Ryan
VFX Artist
Korey Pereira
Sound Editor
Kurt Godwin
Sound Mix Technician
Kyle Scribner
Sound Editor
Landon Taylor
Electrician
Larissa Garcia-Baab
Associate Producer / Script Supervisor
Liz Kelley
Casting
Luís Costa
Additional Editor / Sound Mixer
Madison Miller
Special Effects Makeup Artist
Marc Schneider
Additional Editor
Matt Johnson
VFX Artist
Matthew McCloskey
"A" Camera Operator / Steadicam Operator
Maurice Vellas
Additional Grip
Melanie Wedige
Assistant Sound Editor
Melina Perez
Costume Assistant
Michael Frohmader
Best Boy Grip
Michael Kirylo
VFX Artist
Michael Pariseau
Special Effects Makeup Artist
Molly Brown
3D Modeller / CG Artist / Character Modelling Supervisor / Concept Artist / Modeling / Storyboard Artist / VFX Artist
Natasha Nader
VFX Artist
Nate Hardy
Compositing Supervisor
Nickolos Howard
Special Effects Coordinator
Oleg Karpenko
VFX Artist
Paola Magrans
Foley Editor
Parker Coleman
VFX Artist
Patton Tunstall
VFX Artist
Philip Roy
"B" Camera Operator / Director of Photography
Rachel Lewis
Additional Editor
Rafael Villafane
Visual Effects Editor
Ralph Flores
Stunt Double
Richard L. Blackwell
Utility Stunts
Rigo Hernandez
VFX Artist
Robert Reynolds
CG Supervisor
Sam DeMartino
Additional Editor
Sean Jackson
VFX Artist
Sean Loughran
VFX Artist
Seth Gallagher
First Assistant "B" Camera
Shannon Thomas
Compositing Supervisor
Sonja Burchard
VFX Artist
Tiago Nunes
Additional Editor
Travis Eisenberg
Art Direction
Vicente Branco
Additional Editor
Victoria Penzes
VFX Artist
Wes Aylor
Special Effects Supervisor
Wes Meyers
Visual Effects Supervisor
Zachary Hahn
VFX Artist

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Reviewer:
Sierbahnn
Date:
June 5, 2026
Interesting but somewhat incoherent Adapting games to movies is hard, and this movie does this better than most. However, the game being adapted is a peculiar one, and it lends its air of peculiarity to the movie as well. It is a tight and spooky premise, and I am sure that if you have played the game you will get more out of it than someone who has not, but it becomes strangely rambling at times, possibly because the underlying narrative is so dense that the adaptation could not quite pierce it. It is a good movie, just a bit of a slog, at times.
Rating:
6.0
Reviewer:
larz9
Date:
May 30, 2026
Without a doubt a colossal waste of time. Unengaging, scattered writing and zero payoff at the end. We follow a convicted criminal's journey through unknown territory in a steel can with near zero context and simply follow a guy gradually losing his mind in the most uninteresting way, leading the viewer to absolutely nowhere after being absolutely everywhere all at once. If anyone were to ask me if they should watch it, my answer is definitely more direct than the supposed "answer" in the movie: Hell no!
Rating:
2.0
Reviewer:
CinemaSerf
Date:
February 8, 2026
This time, it’s a “quiet rapture” that has caused mankind’s latest apocalypse, and so for the next couple of hours we spend time with a convict (Mark Fischbach) submersed in a vast and deep ocean of blood. He has been welded into a rust-bucket that has seen better days and with the windows sealed for his safety, he is informed of his mission only by instructions from the surface as he searches for the resources humanity desperately needs to survive. If he fulfils his task, he is to be pardoned and freed, but as his journey continues and his ship begins to fail, then truths he (and we) believe start to become blurred, questioned and compromised as his oxygen supply begins to run out and he can no longer tell what is true from what is hallucination. Now if you are a fan of claustrophobic horror, then this will be for you and Fischbach proves to be a decent exponent. Sadly, though, I just didn’t have enough context nor terms of reference to really get into the story - what had he done to earn this creaking entombment in the first place? That sense of isolation and the audio effects that augment it work well for a while, but after about half an hour I was struggling to remain engaged with his predicament or with this undercooked plot. It has an affecting intensity to it, but I just didn’t find enough happened and when it did, it was all too brief.
Rating:
6.0
Reviewer:
Chris Sawin
Date:
February 6, 2026
The film’s slow burn wouldn’t feel so staggering if it built to something wholly worthwhile. The blood, hallucinations, and sea creature are all great, but they’re too fleeting to make a lasting impact. Iron Lung promises something grand and cosmic, but its climactic reveal is abrupt, with few scares and only a brief glimpse of the monster. Ultimately, it’s two hours of tension that end in a bloody yet unsatisfying climax.
Rating:
6.0
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